Artdeed over artwork. #ॐ
Wrote applications for the Helsinki City Art Council (Police horse movie) and Alfred Kordelin foundation (Police horse movie and exhibition).
An application I wrote for a five year project for the Art Promotion Center Finland was rejected. I applied from the “Monitaide” council. Monitaide is a completely new term for me (a direct translation would be Multiart). The English version of the page reveals it as Multidisciplinary Art.
The reason there are so many cameras at performance events and festivals is that the cameras situate the act to a temporal plane. Every time the shutter strikes the performance is locked tighter to a specific past. Unfortunately when performance art is designed as a set of tasks which the artist completes, this advocates the ideologies of causality and linear progress. The shutter clicks set milestones, looking back at which the audience is tasked asses the performances current state: “Aha! The previous gestures led to this specific moment – We have witnessed progress, we have arrived”. Cameras compost performances by pinning them to exact moments.
Performance art needs to be constantly documented so that it is demystified. If no photos would be taken, the performance would be eternal and possibly confront the future head on, which is a bad strategy (this taints a future, pollutes it with biases). Good art, makes for good compost #ॐ
Luckily designed tastes, smells and noises offer a route for collective speculation. These are not acts or gestures, they are themselves temporal planes, which the audience is then invited to navigate and explore. This allows the audience to make their own time. Instead of arriving, they are departing. Interestingly a taste never lasts long. They most often feel like first impressions, which are then collectively analyzed and assessed (aftertaste). As people explore a new tastes together, they make sense (trough a mood which the first impression sets!).
I think that this is the way to escape the institutional horizon. I think this is why I’m working with mineral waters (and noise). I guess this is why artist run art spaces are converting into travel agencies: Departure is more important then arrival. Oddly I think the majority of Finnish art is about departure and travel. The travels artist are taking are sometimes more celebrated then the work they have made.
I hope the Oodi laser cutter is fixed cause I want to make a eurorack case for travel. Also interested in building a passive VCA/LPG (see szabomate on Muffwiggler) or a DIY vactrol poor man’s LPG or a Shoosh (for eurorack). Bought rails for the 1u row of my case. I should continue working on the mineral water electronic monitor (I need to make a strong amplifier to hear water better). After this I’ll experiment with running signals trough water using different capacitors. To make lower frequencies audible, I’ll have to play with the cap values of my Elektrosluch. Learning about water adjustment too.
AirPods Are a Tragedy (2019) Caroline Haskins. A pretty plain text. It’s a part of a interesting “Future Relics” column series. The concept reminds me of Archeology of the Future, which we coined with Jesse back in the days as an attempt to criticize present day consumerism by imagining ourselves as archeologist in the future.
Learning how to change bike wheel spokes. Saving money is hard work. #ॐ
Every machine is a time machine. #ॐ
A man does something to himself, it causes great discomfort but he survives it. He is an artist. #ॐ