Jade Rose aka The Library (Modular) Girl has released her first album record on bandcamp. Some songs were composed using the Lawrence Public Library modular system. Her videos on youtube were an important reference for developing the Oodi modular proposal. My favourite song is Olivine (7min), here is a video of Rose recording it live at the library.
Fixed my Leatherman Wave (which broke a few years back because I forced the locking mechanism of a blade and a design error). I had to brute-force a 6mm (metre) bolt into a 16/64?? inch (imperial) hole. Succeed by grinding both the bolt and the hole with a file. The bolt is now ~5,9,mm and the hole ~15/64 inch. The size of the bolt&holes no longer work within any known measurement system… I’ll call this new system the “post-transatlantic system”. It’s the system of fitting metre size stuff into imperial stuff using brute force.
Ready Player One (2018) is a necessary movie for understanding the loop that visionaries of early globalisation have placed western lifestyles in. The movie is what the people who ended history have left us with. In the movie a group of avatars (who have money for blood) try to figure out the testament of a corporate overlord called Mr. Holliday (Who is compared to Steve Jobs). The movie manifests a Spielbergian fixation with word games: The avatars try to solve puzzles, discover truths within words from pop-culture references (which is used like kabbalah) and this determinism (that words have hidden meanings in them) makes the story very cynical. The movie is aware that its a game save from 1989, there is even a lead figure with a birthmark similar to Gorbachevs. Contemporary culture is a game save, every trail of thought that breaks the game – Returns us to the save. The movie helped me understand that history didn’t end in 1989. History starts in 1989! Majority of us learn about history before the collapse of communism trough digital recourses: This means that there is no history before victory. We are not stuck in the past, we are stuck in a future. #☭
I can’t have the unofficial page which Facebook has autogenerated in my name removed using the Report an Impostor Account tool! The page is not recognised as a “Profile” so I can’t report it. The tool would have required me to send a scan of my ID or passport to them – Which I wouldn’t have done anyway. Having the page removed is complicated. I’d need a have a facebook account to communicate with their support center and to “reclaim the page”. They have ripped all of the content from my wikipedia entry, which is distributed using the Creative Commons Attribution/Share-Alike license. This means that they have the right to use my face and the texts. I’m trying to report the page as a copyright infringement by claiming that they use my name without permission but I guess they are not legally obliged to remove it. My complaint number is “244899592919672”.
Got a response from fb:
A Community Page serves as the best collection of shared knowledge about a topic and is automatically generated based on what Facebook users are interested in. It is not intended to be the official presence of a brand, public figure or organization. Community Pages can be populated by content licensed from external sources.
[…] Under these circumstances, it’s unclear to us how the reported content, used in the manner depicted, would violate or infringe your legal rights.
If you continue to believe your rights are being infringed or violated, you may wish to seek legal guidance.
They have no intention of removing the site. Other people are struggling with similar issues. I guess this case is evidence that people can no longer decide if they want to serve big-data corporations – They can only decide how they serve them and how corporations portray them. #☭
Got a new reply:
A Community Page is automatically generated based on what Facebook users are interested in. It is not intended to be the official presence of a brand, public figure or organization.
If you object to the content on the reported Community Page, you may access the source of this information by visiting Wikipedia.
They want me to join wikipedia and change details of my the entry there or to join facebook and claim the page they’ve made in my name. I think the customer service personnel I’m negotiating with are bots. I’ve talked to Fleur and Gigi (these have to be fake names!). I wrote to them a reply:
Please understand that I’m not a public organisation, a brand or a public figure. I’m a human being, a person practising my craft to the best of my ability. I’ve been lucky to contribute to some public events and to give the occasional interview for our local news here in Finland but I’m not a public figure (as defined by wikipedia). Please Fleur, please remove the autogenerated page facebook has made in my name. I have no intention to join facebook and I don’t want the company to represent me using a Community Page.
Recovering from the Kontula Electronic, Oodi modular presentation. Kontula was fun but I was too tired to stay for the late night gigs.
Valentin Dikul remarkable power-gym-moves for the future.
We are publishing Oodi modular video teasers in preparation of our Kontula Electronic presentation on Saturday. The first is out on Viktors youtube site and another will be hopefully published on Kontula Electronic FB-site. (I posted the video on /r/synthesizers too, people have responded to it well) My 0-coast & Arturia Beat Step Pro studies are progressing steadily. Updated the devices and build a batch using both sequencers. I’m having trouble configuring the different midi modes (arpeggiators, latching, legato etc.) on the 0-coast and Beat Step Pro is very complicated too. Fun but complicated. I haven’t hooked them up with my Drumbrute yet… But I tested the lfos of my Kastl on the 0-coast.
Wrote a proposal for a techno-gig-talk at the Exhibiting Sounds of Changes seminar in Tampere (in June). My proposal for a Sound of Work: Blacksmith presentation was accepted into the program, which is nice! But I feel cheated. They made their call with an obscure text: “Participation is without a fee; however travel, accommodation and daily living are at your expense.“. I had read “[…] at our expense” – Thinking that they would have covered travel expenses and offered a lunch for people presenting at the seminar.
I’m down for throwing a gig for the love of art, research, labor issues and sounds but paying for the travel is too much to ask. Their project is founded by the Creative Europe programme and the event is organized by Werstas the Finnish Labor Museum. I send them a message asking for a confirmation on how the expenses are handled and got a reply: Speakers are expected to pay for their own participation. No food, no promises of coffee… Nothing.
Their project is about archiving and presenting sounds of work. I offered them a worker making sounds (referring to labor struggles through techno and critical views to samplers and their relationship to appropriation). The Finnish Labor Museum as a culture factory (as defined by Steyerl) producers workers as dead echoes of the past. #☭
– We saw a Morris Mini at our after school club parking yard. It had a bumper sticker which read: “When I grow up I’m going to be a BMW”. I thought it was funny because BMW manufactures minis.
– Did you explain him that? That he need not worry. That he’s already the car of his dreams.
– No dad. I didn’t have time. The sticker also read that the name of the car was: “Bob”.
– Next time you see it you can tell him that “Bob” is the name his slave master gave him and that his true name is know only to himself.
Dark Kitchen: Making friends with microbes (2018) Mark Watson interviews Eva Bakkeslett about fermented foods (Usefull for Neighborizome development).
My biggest concern about the normalization of sex-robots is that capitalist will use them to provide the labor-force with ad-hoc emotional and sexual companionship, at the same time they’re advancing working conditions which make long-term human-to-human relationships difficult to arrange and maintain. A dystopia where AI’s serve capitalist interests is portrayed in the Blade Runner 2049 film. The protagonist K condones humiliating working conditions thanks to the loving support of his AI hologram girlfriend Joi. K is motivated to work so that he can afford to upgrade her with a piece of tech that will allow her to move outside their house. Joi’s character can be read as criticism of processes which seek to commodify feminist movements. The device she uses to move outside (or project herself outside) looks like a futuristic ipod nano.
It’s not freedom if you need to buy something to achieve it #ॐ