20190528

Participated on my second Russian excursion with the Alkovi “Connecting Points” -group (2018-19): Elina Vainio, Matti Kunttu, Iona Rosin, Jussi Kivi and Katja Kalinainen. The project and the trip are organized by Arttu Merimaa & Miina Hujala. This is a raw list of events.

Wednesday (22.5)

  • We visited Lappeenranta South Karelia Museum and South Karelia Art Museum: Saw a really cool looking hoody by the Hanti-Mansia folk, a painting of a Saimaa canal fell off the wall
  • Jussi took us to chalk quarries, there was an emergency rescue personnel fire training facility on site
  • Swam in Saimaa and tasted the water of Huhtiniemi spring (no taste, cold)

Thursday

  • We headed to Vyborg with MS Carelia
  • Spotted underwater “putin-face-altars” on canal wall with Elina
  • We walked across a train-track bridge and identified semiotic-deconstruction: Some columns of and old bridge were dismantled and others left standing – To signify that work to dismantle the bridge is on its way
  • Vyborg suburbs are pretty and full of fences which guard vacant stripes of land. Some fences also guard fences
  • Visited Monrepos-park: Picturesque wooden faux-temple on a hill, endless reconstruction work, a caste on a hill (felt jealous about others discovering graves on a sea shore hill)
  • Our groups organization resembled fermented milk (viili): We stretched into a thin line, individuals swapped between lumps (also unintentionally, when a shoelace came undone etc.) and bounced back together
  • Stayed in Hotel Druzhba

Friday

  • We visited Vyborg castle, the tower renovation was complete and we got a tour to the top: Dropped a 1000 rubles bill between the tower ceiling structures, the group came to my aid and we build a variety of tools to retrieve the money (Elina: This is a team building exercise! Maybe art is)
  • We spotted a mineral water display in the castle exhibition
  • We roamed around the old fortifications around the Avangard-Stadion: Visited a toxic cave and a gunpowder storage
  • Jussi announced the concept of Non-View (designating views that are difficult to describe trough present aesthetic standards) and prompted us to make a publication around the concept (before leaving to Helsinki)
  • A chauffeur drove us to Kurkijoki: We stayed at the Lars Sonck House Museum (we got really good introduction to the place by Nikita), at sunset we headed to a hill in the town center (felt like 3000 bc)

Saturday

  • We identified semiotic-reconstruction: A plastered wall in the Lars Sonck house was spay painted with wild ornaments (asemic writing), so that it would align with the wall with the ornaments found in the rooms wallpapers and window curtains
  • Spotted Finnish travelers in town: “This is the place I feel most at home. Cuckoo sings”. They detailed.
  • We visited a local-culture museum in Kurkijoki: Some exhibition displays and cabinets were filled with objects from different eras (they were organized by their shapes and sizes), touched a mammoth bone
  • The museum guide gave us a tip to visit a local spring, she described the it as a “silver spring” and drew us a beautiful map
  • The spring is located on a hill behind the library, Arttu spotted a path which took us to a humble spring-well: Water tasted great, I carbonated a batch too
  • Flag of the Republic of Karelia next at a town monument was bigger in size then the Russian flag
  • We took a buss to Käkisalmi: Stayed at the Park Hotel Kapitan Morgan (sauna was not working properly), took a dip in Laatokka

Sunday

  • Made various electronic experiments with the water: 3,3v square wave signal was passed trough and a diy electroslush (LOM) used to listen to water, the returning signal was amplified with a lm386 and played trough a bone conduction speaker. The conductivity of different waters was similar.
  • A chauffeur drove us to spring close to Kluchevaya. I had spotted the site from the mineralwaters.geo.uu.nl service (link)
  • Finding the spring was challenging: We drove for three hours and then headed deep into the woods (saw a grave and house ruins), after a 20 min walk, a path was discovered which led us the spring origins, water tasted great. The chauffeur smiled for the first time when he was offered a taste.
  • We spotted Ludvig Nobels well and took a taste of it too: The terms “Wild Waters” and “Untapped Waters” were coined
  • We headed back to Vyborg (stayed at Hotel Vyborg): Iona showed a video she has been working on related to Monrepos-park, Karelia-nostalgia and geohistorical estrangement (my interpretation)
  • We had dinner close to the hotel. Castle tour guide Vital was in the bar with a friend Misha and we banded to watch sports. Vital provided a thorough lecture on the history of the castle

Monday

  • Elina took us to ruins close to the railroad bridge and installed a sentence she had been working on during the trip on tree branches
  • We left for Helsinki on the train. On route we had a blind-water tasting: Kurkijoki spring water was rated the best

Vyborg water-voyages, spring and well water tasting etiquette (draft): The person who has called for the quest of the spring will taste the water first, so that its quality and drinkability can be assessed. Group members should not be pressured to taste the water but everyone should be offered a sip from a clean cup.

201190111

Alkovi gallery (Miina Hujala & Arttu Merimaa) is organizing a research-art-process which will take place partially in Vyborg and deal with ruins, tourism & knowledge. It’s called Connecting Points. I’ll meet with the group of artist invited to join the process next week (our first meeting was in Vyborg last spring). Hujala send us a text to contemplate, in which she poses various questions on what art can enable and how it differs from other modes of thought. This got me thinking about moods.

Edit: Strikethroughs and ?-marks made after the second Vyborg trip.

Art can establish a mood

  • Mood is knowledge that lasts for a moment (?)
  • A mood is the best aid for exploring the potential of a site, idea or event
  • Moods swing and maintaining a mood is a challenge, as a mood is not action (?)
  • Mood might be the essence (or performativity) of solidarity
  • Processes which try to deliver a mood are scary
  • Art is more like a mood then mood is art

What is the minimal effort for setting a mood?

  • A mood requires a comfortable setting (no hunger)
  • Moods require that they are identified (possibly known in advance)
  • Too much talking spoils the mood
  • Setting a mood requires preparation and self-confidence (trust)
  • Only stopping an action makes changes in moods noticeable
  • Moods catch on trough subtle hints

What can moods do?

  • Change the appearance of things and events
  • Provide access to new horizons
  • Things make more sense in a good mood
  • A set of different moods is required to establish a baseline for good judgement
  • Shared moods require mutual consent (no tricks)
  • Mood can be picked up and possibly stored in art

Is there archeology for moods?

I’ve been trying to frame moods as public art recently… Trans-Horse (as an example) is as an artwork, best understood as a mood because that’s how it effected it’s audiences and what it is leaving behind (there is no monument). I started to think about this after reading a review by Maaria Ylikangas Hevosen avulla tutkitaan tilaa ja aikaa (2014). In the text she accounts her experience of the artwork and explains that even if she didn’t see the work, she got to know what it is like to move in the landscape with a horse. This happened by learning about what we were doing (trough twitter, radio broadcasts, articles) and combining this with with her personal experiences with horses (and other critical texts). I’ll use her case as an example were an artwork set a mood (and that was all the artwork did).

20170808

Assisted in the video documentation of Mihail Kaluzhski’s Like it, Fake it play (or demo) at gallery Augusta. The event was a part of URB festival programme and produced by Alkovi gallery (Miina Hujala & Arttu Merimaa). The best part of the event was to see Henna Tanskanen perform.

Hmmm… Open-source virtual Eurorack DAW Vcvrack. Beta will launch September. There are ports of Mutable Instruments modules. Apparently Clouds is 70% ready.

20161215

They want us to use our bodies as keys. Fingerprints and iris scanners open doors.

The Cruel Radiance of What Is course came to an end. My last teaching gig was on Monday but all of the students skipped class! Only 2-4 students attended the course in general so their absence didn’t feel like a protest. People who joined the kettlebell workout were really delighted of the style of teaching I’m currently into. We met with Mikko, Miina & Arttu and two students yesterday for our final joined meeting. We ended up talking chop but the event was fun.

Visited Perfo performance event in Tampere on Thursday. Saw performances by Asko Nivala (a “failed Hannibal Lecter” / meet-is-murder cabaret), Suvi Suvereeni (a very fluid collaboration with Siri the intelligent personal assistant. A low key, personal approach to the technology yielded revelations on how the technology perceives us!), Tuuli Tuikka (an anti-art & anti-capitalism manifest on how nature and creative experiences are commodified. She shredded and packaged a flower into plastic containers) and Joulumaa (a four member noise ensemble doing a faux-ritualistic, holistic noise show. The sounds were too orchestrated for my taste and their stage work came of as flamboyant. I did get to see a 16 channel mixer being used as a percussion instrument, which is a novel sight).

After the festival I chatted with Janne Rahkila about rejoining the Perfo crew for next year. I’d continue working with the streaming system.. I’m hesitant about the gig. I don’t believe in live-video streams anymore. Perhaps I should make interviews of the artists as text and brief synopses of their performances instead. Also met with Timo Bredenberg and we had the last meeting of our “In the Flow” (Groys 2016) reading circle (some ideas in the book are useful but the authors style is too tandy).

I’m now preparing for a grant award event at the Taidehalli. I got a “The Young Artist Grant” from the Finnish Art Society. Also got a techo gig (with a workout theme) for next years Kontula Electronic. I’ll likely be joined by Kristian Ekholm (and Pietari if he finds the time. I haven’t talked about this with him yet). Also got news from Antoine that our Trans-Horse proposal for Signal festival is being processed by the production crew.

Uplifting news all around.