20191013

Saw Television by Niko Hallikainen at Mad House Helsinki. He appeared confident and included various stage tech maintenance maneuvers into the performance (toggling lights and the space heating). Seeing the performer crossing the stage, just to turn the heating off before starting their monologue made me feel I was in good hands. He shared an eventful and touching love story but I think an underlying motive of the piece was to explore how virtual spaces can be formed using spoken word. In the beginning Hallikainen confessed the performance was an attempt to build a a temple for a departed lover and described various interiors they had been in: A bar, his home, their home, a strangers home. The hints we were offered to visualize the spaces were subtle. He described things in them (DVD covers, coffee machines), mapped their relations spatially and prompted us to “use our imaginations” if we wanted to sort out how the spaces were configured. His words felt like projections. A magical portal, the TV or screen (emphasized by blue lights on stage) which links all interiors together, was identified using words and a dance. The mood of the performance and the tone of his voice reminded me of the Neuromancer 1994 audiobook.

Visited a Synthetic Youth -event at Cactus. Particularly liked Kanyon2000000 and 8 bits High was super, got me dancing too. They are having a tour in libraries (9.11 Ylöjärvi and Tampere) which is very fitting for music made with keyboards. Kanyon2000000 has a picture online where they are posing in front of the Oodi modular.

20190602

I hope the Oodi laser cutter is fixed cause I want to make a eurorack case for travel. Also interested in building a passive VCA/LPG (see szabomate on Muffwiggler) or a DIY vactrol poor man’s LPG or a Shoosh (for eurorack). Bought rails for the 1u row of my case. I should continue working on the mineral water electronic monitor (I need to make a strong amplifier to hear water better). After this I’ll experiment with running signals trough water using different capacitors. To make lower frequencies audible, I’ll have to play with the cap values of my Elektrosluch. Learning about water adjustment too.

AirPods Are a Tragedy (2019) Caroline Haskins. A pretty plain text. It’s a part of a interesting “Future Relics” column series. The concept reminds me of Archeology of the Future, which we coined with Jesse back in the days as an attempt to criticize present day consumerism by imagining ourselves as archeologist in the future.

Learning how to change bike wheel spokes. Saving money is hard work. #ॐ

20190228

Build my first module: “Tip/Ring Thing (Breakout)”. Its a 4hp unit which divides a 3.5mm TRS socket to two separate mono sockets. I can now transmit CVs (and audio) from-and-to my softPop with the module. It’s essentially a passive two channel splitter and/or mixer. It also works with my QuNexus, which sends CV trough a TRS connection. (Building the module costed me less then 5€ but four hours of time, because I wanted the panel from wood).

I’ve now compiled all of the modules I have planned. Feeling content but I want to deepen my understanding of sounds. I need some kind of drum-sound generator (re-discovered Kastle 1.5), a looping envelope, more VCAs (I’ll possibly build them using vactrol), a second LFO (for slow movements), a second attenuverter (for the second lfo) and a spring echo. Today I used the Turing Machine as an oscillator (by clocking using softPops square wave output), I patched the same clock signal to my clock divider (which serves as a square oscillator, when clock very fast). I then routed the sound of the Turing Machine to the softPops filter and used the QuNexus to trigger the Skis envelope/VCA to control the sound (of the filtered sound and the clock-div sub-osc). I wonder.. Would psychotherapy be more affordable?

My review titled Kun kirjasto lukee meitä (When the library reads us) on the The Library’s Other Intelligences art project is available on Mustekala.info.

Listening and studying Toshimaru Nakamura NO-INPUT MIXING BOARD (2000).

20190223

Returning from my one month Kankaanpää Art School teaching gig with good vibes. I only had five students but they were committed. I’ll prepare a summary of the course in Finnish for next week.

Send an application to the Kone foundation community art triennial open call.

Met with Binna Choi by introduction of Frame. We had a fun chat about workshops (as art), metalwork, crafts and horses.

Preparing to swap my Zoom cdr70 to a QuNexus and build lid-locks and a handle to my eurorack case. It looks very cool. I still have a clock divider module in the works. I only bought a pcb for it and sourced the components.

I have untill Tuesday to finish my review of the Oodi Library’s Other Intelligences events (mentioned earlier) for Mustekala mag. in Finnish. Barely enough time for fact checking.. I’ll visit the library again on Monday.

20190128

SOW Blacksmith ed.1 spotted in the wild as a part of a Novation Circuit Sample Set! Some new entries in the Freesound.org comment page on the collection too. Feels really good to see the pack in use!

Ordered parts for a second Lorre-Mill uTone building session (more on that later – Planning to attach the unit to a 42hp blank eurorack panel). Also got parts for a PMFoundations Clock Divider (Eurorack PCB set). I now have an elementary set of modulation tools in the works. I’ll start compiling the units next month. The uTone will likely be build at Oodi. Odered parts from Digi-Key on Friday and they are already in Helsinki!

Saw dance works at Zodiak. Mira Kautto: Station to Station to Station was a faux-one-person-techno-party, framed as a reminiscence of the traces that past performances had left in the dancers body. Laura Jantunen: Talvi  was a monotonous, repetitive and pattern orientated piece. It placed human bodies and abstract electronic patterns on the same plane. I liked the experience of looking at human movement as a pattern but disliked the academic/neutral-tone of the work. For me the performance felt like a display of the concepts of repetition and patterns, rather then an exploration of them. Kimmo liked work a lot and their text on the piece is a good read THE CIRCUIT I NEED: TALVI, A CHOREOGRAPHY BY LAURA JANTUNEN  (2019) Kimmo Modig.

Also saw Their Limbs Their Lungs Their Legs at TeaK. I enjoyed the views and read the piece as a post-humanism for kids sort of show. The outer forms of the dancer bodies where changed with various disguises. Some parts were very humorous but it didn’t offer new insight to dance.