20190701

Wrote a summer text for Mustekala.info Puu kaatuu metsässä – Tunnelmia Kiilan äänipäiviltä Kemiönsaarelta [Tree Falling in the Woods – Vibes from the Kiila International Sound-Days at Kemiönsaari]. An easygoing review which includes a short history of the event and an overview of all of the works presented this year. Includes some fancy casually post-humanistic senescence: “[their piece] explored constructions, which enable the production of sound in bodies, animals and other wind instruments” (concerning a performance by Ragnhild May and Kristoffer Raasted). Also summarized Yan Jun‘s from last year performance which I wrote shortly about. Got to interview Tolvi, Juho Laitinen (got a micro-lecture on art!) and Teemu Lehmusruusu for the text too.

Jesse introduced me to the concept of post-ore (jälki-malmi). He came up with the concept after spotting scum with aluminum and copper traces in the lot of an old foundry. Its a very useful concept for Ore.e Refineries. Post-Timber works too (see this crafty palindrome as a performance). We build a sauna (using post-timbre) with him in two days. Needs insulation but gives a good löyly.

Breadboarded a Microphonie (Music Thing Modular) and made a unit on perfboard too. Turns out my DC 5-24v to Dual Power 12v -12v 5v -5v 3.3v is incredibly noisy. Works ok, not as loud as I hoped and a bit noisy (most likely because of my building skills). Using a battery works cleaner. Tested it with my μZEUS too and begun to build a (water)capacitor (will be dry tomorrow).

20181019

WWC: Carlos Colón vs. Hercules Ayala (1987). Frenchie from Frenchie’s Gym serves as the referee in the match. Interestingly after the match the winners family gets on stage to celebrate with him.

Visited ecoartspace: Mary Mattingly and Jean Shin interviewed by Amy Lipton event at the 8th Floor on Wednesday. It was fun to learn about Lipton’s career as a curator specialising in ecologically steered arts. We didn’t get deep into her work or investigate it conceptually. Audiences were presented with a list of her most celebrated projects and exhibitions. Learning about Mattingly’s “public floating food forest” Swale was cool too. I’m pessimistic… I fear these kinds of initiatives fail in making the impact they seek. Not-doing would be more eco-friendly. But I don’t know how to “not do” in a sustainable way. No-Chair-Design campaign is the closest I’ve gotten.

20180807

Ore.e Refineries is featured on brutalistwebsites.com (here is a short interview and screen grab on flickr.com). Exchanged notes on “facebook-fuelled-complicatedness of fka. brutalist website designs” (mentioned earlier) with the site maintainer Pascal Deville.

I accidentally broke the Civil Defence Crusher. Debugged the problem (it took two days) and now it works even better! The lm386 amplifier circuit is louder then before. I think I suffered hearing damage… During the fix I send a burst of raw interference noise through the circuit to my tightly sealed headphones. I feel a constant pressure on my right ear.

Race and Capitalism – Welcoming Michael Dawson to the New School (2018) Mayra Cotta. See The Race and Capitalism project. There are podcasts too (or listen to Wu-Tang Clan – C.R.E.A.M.).

Continue reading “20180807”

20180905

For awhile I thought that sassy artists & web designers working for sassy festivals and galleries were into brutalist, hard to use web pages because they want to challenge their audiences (See: brutalistwebsites.com ). It seemed there was a design movement which opposed the production of passive audiences. But I’ve now understood that these styles are not rebellious, they are compliant: Artists and organizations have messy web pages only because they rely on social medias. They can afford complicated, even artistic sites – Because they reach their audiences primarily through facebook events.

I’ve been thinking about style and ecology during the past weeks. I’m shocked by the amount of usable stuff I can find from the streets (clothing, electronics, tools and furniture etc.) and the amount of plastic they use in shops (orange juice is sold in solid plastic cans, which are as sturdy as flower watering pots I use in Finland ). In Finland I can imagine having an ecological impact by recycling and wearing second hand clothes. In NYC I understand that my environmentally conscious decisions do not have any impact.

In this city, ecologically steered design and arts, are reduced into mere fashion statements. Ecological orientation serves as a class signifier.

How to formulate this critical observation into a style and a movement? I currently think the most equalitarian and ecological style is to have NO-STYLE. Pickup, wear and use anything you find from the streets. When you see a person who is wearing ecobrands: Inform them that they are misguided (possibly by vomiting, like one of my favorite artists Kristofer Paetau during the artforum incident in 2005). The only sustainable way forward is to have NO-STYLE. To go forward we need to consume toxic stuff, learn plastic crafts and listen to algorithmically generated playlists on youtube. Pietari suggested the hashtag #deathhack for these efforts. More reading on class, looks and hiding your class with looks: So You Think You’ve Got Class? (2017) Charlotte Shane (Also related: Sebago docksides rant).

I’ve made a functional and novel sound pedal. The circuit is based on the Dwarfcraft Great Destroyer but I made some mistakes in the assembly, which cause the circuit to behave oddly. It doesn’t work like a bitcrusher, which the DGD is supposed to be. It self-oscillates and creates tunes which are affected by the level of the volume input and potentiometers, it also plays the radio and works like a distortion. A very interesting device (powered with a 9v battery / pedal power supply). As I understand the CD4049 (Buffered) is not grounded and I think the weird behaviour is caused by the signal & voltage working their way to the ground, through the potentiometers. It works great with drums, and creates changing melodic synth and bass lines which follow the rhythm. I added a LM386 amplifier (as an integrated circuit) to the effect to make it louder (The LM386 can also be powered independently so that it acts as a “clean” boost).

The circuit is housed in a Civil Defense V 750 (Model No. 5B) Dosimeter Model No. 5 Charger (C2-2). Serial No. 0005296. Which has been manufactured by the Industrial Electronic Hardware Corp. in New York City (Brooklyn!). The device was intended to reset radiation dosimeter values. If I understand it correctly these kinds of devices were available in fallout shelters during the cold war era in the city. This particular device was manufactured ca. 1962. I repurposed the potentiometer (10k) of the V 750 and used it controls the LM386 output. I’m currently waiting for potentiometer knobs and I’ll make a video of the device after I receive them. I call it the Civil Defence Crusher. It goes well with the Berlin Wall Distortion. Together they form the Sound of Cold War Infra custom guitar pedal series (Ore.e Ref.).

20180708

Launched the New York Sock Repair & Exchange service. I’ll send invitations to friends tomorrow right now.

Collected a set of bike tires from Harlem yesterday. On the C train back to 14th st. – 8th Ave I accidentally touched a lady with my elbow when reaching for my phone. She responded immediately by pushing back. I didn’t sense any hostility in her act, she only wanted me to acknowledge her boundaries. I apologised but she didn’t acknowledge me.

People in the public (and free!) McCarren Park Pool changing area hide their nude bodies by arranging towels as wall high barricades. They crouch behind vertical towel towers just slip into their bathing suits. There are different changing ares for males and females, but nobody was nude! It’s weird to see grown men act so immaturely. Everyone is afraid to be though of as a pervert – Which is why they execute weird performances to show that they are not perverts (which is a perverse in itself).

Old Hippie Remembers His Commune Experiences (198?) David Hoffman. A man remembering how a hippy community collapsed.