20180416

Wearing my spring jacket which I surface treated using a boiled linseed & beewax mixture. Spring rain doesn’t penetrate the cotton cloth but the downside is that the jacket smells faintly like freshly cut grass. The wax-coating made the denim fabric darker and the jacket looks cool. Droplets of water stick to the surface, I feel like a cowboy or sailor. Tuned an old hoodie too, lengthened its sleeves and replaced its backside with a lighter fabric (for better ventilation). The jacket and the hoodie work well together.. Only the front and top of the garment is waterproof and the backsides allows inter-garment climate control.

Collected synths and controllers for our Oodi modular presentation from Pasila library. I received a Make Noise 0-Coast and a Arturia Beat Step Pro. They are the first instruments of the Oodi modular system and I’m the first person to loan them! We will use them with Viktor at Kontula Elektronic to demo services that Central Library Oodi studios will offer for library users. I have week to learn how to use them. I’m now a (fake) synth-expert, demoing instruments which I don’t own. I hope someone will make musicmesse-style awkward interview of us.

Preparing for a live radio interview regarding our work (Neighborizome) at the Kone foundation Lauttasaari mansion. I’ll have 5min of airtime to introduce people to Performance Architecture (I’ll refer to Alex Schweder if possible). Used the little time I had to build a case for “new mansion culture”.

20180415

We presented the Oodi modular project with Viktor Toikkanen for Sunnuntai Siskot (Basso Radio). The talk starts at around 58min and is available on the Basso Radio on demand player (we were on air for 20 minutes). We are featured on their Facebook feed too. The talk will be replayed on air next week too. Played my Bastl Kastl live!

20180321

Conceptual synthesisers are emerging! Ewa Justka’s (Optotronics) Oi, Kant! is a drum/bass machine packed with features. It boasts four independent sequencers (named: Stupid Cunt, Cantinflas and Cantaloupe & Canterbury), a drum voice (Can’t Touch This), bass operator (Cantor’s Set), Enlightenment Symbal (Canteen) and a resonance filter based on the Ms-20 (Tadeusz Kantor). The instrument is open source and schematics are available online. The circuit board layout file is named kant_destroyer-Cu.png