{"id":2858,"date":"2009-03-28T19:33:02","date_gmt":"2009-03-28T17:33:02","guid":{"rendered":"https:\/\/eero.storijapan.net\/docfolio\/?post_type=jetpack-portfolio&p=2858"},"modified":"2018-03-28T20:43:26","modified_gmt":"2018-03-28T17:43:26","slug":"framework-2009","status":"publish","type":"jetpack-portfolio","link":"https:\/\/eero.storijapan.net\/docfolio\/portfolio\/framework-2009\/","title":{"rendered":"Framework (2009\u2013)"},"content":{"rendered":"

In the fall of 2009 I participated to a laboratory organised by Maija Hirvanen<\/strong> for \/teatteri.nyt. The theme of the lab was the relation between crafts and performing arts. It was run by Singaporean director and intercultural theatre pioneer Ong Keng Sen<\/strong> and it was titled with a question:<\/p>\n

\u201dIs Performance the Future Craft of the 21st Century?\u201d<\/p><\/blockquote>\n

As an assignment for the lab I conducted a study in a gilding and framing shop in T\u00f6\u00f6l\u00f6 called Kultaus- ja kehysliike Ivonen. The examination was conducted through interviews on the master gilders workdays. Trough our weekly sessions I learned about the traditions of the craft. Just before my involvement with the work community was about to end, I procured a custom brass-gilded picture frame and participated in the making of the it.<\/p>\n

Inside the frames we placed the receipt of our transaction. The receipt shows how much the work and the frame materials costed. The framework is best approached as a performance art documentation. The piece documents a transaction between a craftsperson and an artist \u2013 Who makes art of the transaction. It was made from acid free materials, using UV-light reflection glass so that it meets museum-requirements.<\/p>\n

To take the artwork further I held an auction event at the lab wrap-up event organised at Kiasma. I presented the frames as a solution how performance artist could solve both documentation and funding issues. The documentation and the artwork are the same concrete object which may be exhibited endlessly. The auction was a success but surprisingly the frame was bought collectively by all of the artist who participated in the lab. I made 33% returns on my initial monetary investment!<\/p>\n

The “Framework” is owned by: Kristina Junttila<\/strong>, Tashi Iwaoka<\/strong>, Ossi Koskelainen<\/strong>, Leena Kela<\/strong>, Tellervo Kalleinen<\/strong>, Sanna Salmenkallio<\/strong>, Tuomas Laitinen<\/strong>, Pilvi Porkola<\/strong>, Anna-Mari Karvonen<\/strong>, Elina Pirinen<\/strong>, Maija Hirvanen, Ong Keng Sen and Jaakko Simola<\/strong>.<\/p>\n

The peer-owned artwork has travelled for a month (+ extra) from one owner to the next and it begun it’s world tour 2009. It’s currently likely in Helsinki. The owners stake their claim by writing their name into the back of the frame (like with stocks) and the date they have received it. I hope we’ll manage to meet up as the frame has travelled a full circle, to sort out what could be done with it.<\/p>\n

Osallistuin syksyll\u00e4 2009 Maija Hirvasen<\/strong> organisoimaan \/teatteri.nyt:in laboratorioon, jonka teemana oli k\u00e4sity\u00f6l\u00e4isyyden sek\u00e4 esitystaiteilijoiden ty\u00f6skentelyn suhde. Laboratoriota johti Ong Keng Sen (Singapore) ja se oli otsikoitu kysymyksell\u00e4:<\/span><\/p>\n

\u201dIs Performance the Future Craft of the 21st Century?\u201d.<\/span><\/p><\/blockquote>\n

Laboratorion valmistelu vaiheessa perehdyin T\u00f6\u00f6l\u00f6laisen Kultaus- ja kehysliike Ivosen toimintaan. Tutustuin kultaajien ammattikunnan arkeen ja historiaan haastattelemalla yritt\u00e4ji\u00e4 ty\u00f6n lomassa. Tutustumisjakso huipentui valmistuttaessani messingill\u00e4 p\u00e4\u00e4llystetyt pienet kehykset. Kehysten sis\u00e4ll\u00e4 on maksukuitti, joka kertoo kuinka paljon ty\u00f6 sek\u00e4 materiaalit maksoivat.<\/span><\/p>\n

Kehyksi\u00e4 voi parhaiten l\u00e4hesty\u00e4 performanssi taltiointina, jossa toteutunut esitys oli k\u00e4sity\u00f6l\u00e4isen sek\u00e4 taiteilijan v\u00e4lill\u00e4 k\u00e4yty kauppa. T\u00e4st\u00e4 dokumentaatioksi on j\u00e4\u00e4nyt kuitti, joka kertoo rahan vaihdosta ja jonka my\u00f6t\u00e4 kehykset ja kuitti muuttuivat taiteilijan teett\u00e4m\u00e4ksi teokseksi. Teos valmitettiin \u201dmuseostandardeja\u201d noudattaen, k\u00e4ytt\u00e4en UV-suojaavaa lasia. Kehystys materiaalit olivat asianmukaisesti happovapaita.<\/span><\/p>\n

Vied\u00e4kseni teosta pidemm\u00e4lle huutokauppasin sen Kiasmassa j\u00e4rjestetyss\u00e4 laboratorion p\u00e4\u00e4t\u00f6stapahtumassa. Esittelin kehyksen yhten\u00e4 vaihtoehtona sille, kuinka esitystaiteen kent\u00e4ll\u00e4 ty\u00f6skentelev\u00e4t voivat ratkaista ty\u00f6skentelyyns\u00e4 sis\u00e4ltyvi\u00e4 dokumentaatioon, teosten immateriaalisuuteen sek\u00e4 taloudelliseen kannattavuuteen liittyvi\u00e4 kysymyksi\u00e4. Teoksen dokumentaatio ja teos ovat samaa ainetta ja n\u00e4in teosta voidaan esitt\u00e4\u00e4 yh\u00e4 uudestaan ajasta v\u00e4litt\u00e4m\u00e4tt\u00e4. Kauppatapahtuma onnistui mutta odotusten vastaisesti sen osti koko laboratorioon osallistunut taiteilija ryhm\u00e4. Tein myynnill\u00e4 n. 1\/3 voittoa alkusijoitukseeni n\u00e4hden.<\/span><\/p>\n

Teoksen omistavat: Kristina Junttila<\/strong>, Tashi Iwaoka<\/strong>, Ossi Koskelainen<\/strong>, Leena Kela<\/strong>, Tellervo Kalleinen<\/strong>, Sanna Salmenkallio<\/strong>, Tuomas Laitinen<\/strong>, Pilvi Porkola<\/strong>, Anna-Mari Karvonen<\/strong>, Elina Pirinen<\/strong>, Maija Hirvanen, Ong Keng Sen sek\u00e4 Jaakko Simola<\/strong>.<\/span><\/p>\n

Yhteisomistuksessa oleva teos on kiert\u00e4nyt kuukauden (ja rapiat) jokaisella omistajallaan ja aloitti maailman kiertueensa 2009. T\u00e4t\u00e4 kirjoittessani se on todenn\u00e4k\u00f6isesti Helsingiss\u00e4. Omistajat merkitsev\u00e4t teoksen taakse nimens\u00e4 (kuten asunto-osakkeissa) ja p\u00e4iv\u00e4yksen, jolloin ovat saaneet kehyksen haltuunsa. Pyrkimyksen\u00e4mme on tavata t\u00e4yden kierroksen j\u00e4lkeen ja mietti\u00e4 teoksen jatkoa.<\/span><\/p>\n

More on the subject in the blog: Ore.e Ref: \u201cD2T (Digital-to-Tangible )\u2013 Services\u201d<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

In the fall of 2009 I participated to a laboratory organised by Maija Hirvanen for \/teatteri.nyt. The theme of the lab was the relation between crafts and performing arts. It was run by Singaporean director and intercultural theatre pioneer Ong Keng Sen and it was titled with a question: \u201dIs Performance the Future Craft of … <\/p>\n

Continue reading “Framework (2009\u2013)”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":2859,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"jetpack-portfolio-type":[],"jetpack-portfolio-tag":[],"class_list":["post-2858","jetpack-portfolio","type-jetpack-portfolio","status-publish","format-standard","has-post-thumbnail","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/jetpack-portfolio\/2858","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/jetpack-portfolio"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/jetpack-portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=2858"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/jetpack-portfolio\/2858\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media\/2859"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=2858"}],"wp:term":[{"taxonomy":"jetpack-portfolio-type","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/jetpack-portfolio-type?post=2858"},{"taxonomy":"jetpack-portfolio-tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/jetpack-portfolio-tag?post=2858"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}