{"id":1016,"date":"2016-12-05T21:38:00","date_gmt":"2016-12-05T19:38:00","guid":{"rendered":"http:\/\/eero.storijapan.net\/log\/?p=1016"},"modified":"2016-12-05T21:38:00","modified_gmt":"2016-12-05T19:38:00","slug":"20161205-2","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/20161205-2\/","title":{"rendered":"20161205"},"content":{"rendered":"<p>Visited <a href=\"http:\/\/www.uniarts.fi\/tapahtumat\/ma-24102016-0917\/bunch\">TeaK Bunch performances<\/a> today by&nbsp;invitation of&nbsp;Matilda Aaltonen. I&#8217;ve been watching more dance this autumn then ever before. It&nbsp;inspires me.&nbsp;There is more potential for change in dance than in performance art!<\/p>\n<p>There is something unceasing in witnessing&nbsp;dancers illustrate internal drives with their public bodies (they become everybodies and make the audience nobodies). Dance is magnificent acts and on stage, which the artist present in&nbsp;an&nbsp;unhesitant\/pro-hesistant, inhumane&nbsp;manner. They have no stutter \u2013 Stutter is their art. This makes them too&nbsp;perfect&nbsp;to approach. They are shielded from penetrating gazes on all fronts. There were three breaks&nbsp;during the two hour post-humanism inspired dance potpourri. During the breaks the movements the performers echoed in the audiences posture. Everyone ended up putting on a show, walking more steadily and concentrated then before arriving. Everyone was afraid&nbsp;to show their imbalances, everyone was afraid to show &#8220;they didn&#8217;t get it&#8221;. This is how institutions terrorise us and this is how we can use empathy to change the world.<\/p>\n<p>I&#8217;ve started to develop dance for my kettlebell. &#8220;Workout in four parts&#8221;:<\/p>\n<ol>\n<li>Warm-up, kettlebell and techno making (as demoed at NPTurku for&nbsp;Pilvi)<\/li>\n<li>Protein-shake and kettlebell worship (for this I&#8217;ll use the stutter\/poses techniques presented by Philipp Gehmacher and I&#8217;ll ask Pilvi to design a protein drink for me)<\/li>\n<li>16kg of meat to counterbalance the 16kg kettlebell on a swing (a short transitional act between workout&nbsp;and cooldown phase)<\/li>\n<li>Attaching a six pack of beer on my belly with duct tape and serve&nbsp;the audience with alkohol<\/li>\n<li>[\u2026]<\/li>\n<li>Profit<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>Visited TeaK Bunch performances today by&nbsp;invitation of&nbsp;Matilda Aaltonen. I&#8217;ve been watching more dance this autumn then ever before. It&nbsp;inspires me.&nbsp;There is more potential for change in dance than in performance art! There is something unceasing in witnessing&nbsp;dancers illustrate internal drives with their public bodies (they become everybodies and make the audience nobodies). Dance is magnificent &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/eero.storijapan.net\/docfolio\/20161205-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;20161205&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[185,167,234,102],"class_list":["post-1016","post","type-post","status-publish","format-standard","hentry","category-log","tag-kettlebell","tag-matilda-aaltonen","tag-philipp-gehmacher","tag-pilvi-porkola"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/1016","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=1016"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/1016\/revisions"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=1016"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/categories?post=1016"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/tags?post=1016"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}