{"id":106,"date":"2016-04-02T21:17:57","date_gmt":"2016-04-02T18:17:57","guid":{"rendered":"http:\/\/eero.storijapan.net\/log\/?p=106"},"modified":"2018-03-29T16:31:58","modified_gmt":"2018-03-29T13:31:58","slug":"20160402-2","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/20160402-2\/","title":{"rendered":"20160402"},"content":{"rendered":"<p>If everyone laughing in a\u00a0room is\u00a0being paid to laugh, is the one who payed for the laught truly laughing? Is he faking the laughs?\u00a0#\u0950<\/p>\n<p>Learning the KP3 ropes. As expected I&#8217;m <a href=\"https:\/\/soundcloud.com\/ldezem\/sets\/sound-of-work-blacksmith-collection\">pushing heavy with the effects.<\/a> It&#8217;s such a thrill to use.<\/p>\n<p>Visited the <a href=\"http:\/\/ihmefestival.fi\">Ihme-days<\/a> again. The Ihme-festival crew celebrated\u00a0<a href=\"http:\/\/www.katerinaseda.cz\/en\/\">Kate\u0159ina \u0160ed\u00e1<\/a>s &#8220;Tram-Buskers Tour&#8221; with a two hour long talk. She was interviewed by\u00a0Hamza Walker who\u00a0made\u00a0a solid\u00a0presentation. Unfortunately he was a big fan of \u0160ed\u00e1s work and\u00a0his analysis wasn&#8217;t critical.<\/p>\n<p>After hearing\u00a0\u0160ed\u00e1 I had a revelation: The &#8220;Tram-Buskers Tour&#8221; is a passive aggressive artwork. It was portrayed as a positive and low-key\u00a0experience but behind the smiles audiences and buskers were used as mere resource for a top-down artwork. She takes people through the ropes whether they want\u00a0it or not. This sort of hostility to normativity\u00a0is welcome but feels insulting\u00a0when\u00a0it&#8217;s\u00a0served with a fake smile.\u00a0I like my violence raw.<\/p>\n<p>\u0160ed\u00e1 has compiled\u00a0her post-soviet dissillusion and angst into an authoritarian artist practice, aiming\u00a0crackdown hypocritical social structures. This approach works when her projects target\u00a0western-capital-metropolitan\u00a0areas, or when she works &#8220;to give a voice&#8221; to small villages she has worked in. But\u00a0in\u00a0the Helsinki\u00a0context her work is\u00a0colonial.<\/p>\n<p>Instead of altering\u00a0what we believe to be possible, she made us\u00a0doubt our believes. She comes off as a bully.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>If everyone laughing in a\u00a0room is\u00a0being paid to laugh, is the one who payed for the laught truly laughing? Is he faking the laughs?\u00a0#\u0950 Learning the KP3 ropes. As expected I&#8217;m pushing heavy with the effects. It&#8217;s such a thrill to use. Visited the Ihme-days again. The Ihme-festival crew celebrated\u00a0Kate\u0159ina \u0160ed\u00e1s &#8220;Tram-Buskers Tour&#8221; with a &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/eero.storijapan.net\/docfolio\/20160402-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;20160402&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[22,23,17,24],"class_list":["post-106","post","type-post","status-publish","format-standard","hentry","category-log","tag-22","tag-hamza-walker","tag-ihme-days","tag-katerina-seda"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/106","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=106"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/106\/revisions"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=106"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/categories?post=106"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/tags?post=106"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}