{"id":1535,"date":"2017-04-10T19:54:09","date_gmt":"2017-04-10T16:54:09","guid":{"rendered":"http:\/\/eero.storijapan.net\/log\/?p=1535"},"modified":"2017-04-10T19:54:09","modified_gmt":"2017-04-10T16:54:09","slug":"20170410-2","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/20170410-2\/","title":{"rendered":"20170410"},"content":{"rendered":"<p>&#8220;Art as a de-alienating human endeavour&#8221;. Preparing&nbsp;for Hollo-seminars with Claire Bishop\u2019s <a href=\"https:\/\/vimeo.com\/24193060\">Participation and Spectacle: Where Are We Now?<\/a>. She says that artists in countries behind the Iron-Curtain masqueraded their socially engaged art processes&nbsp;as formal&nbsp;social events (such as weddings) to avoid censorship. The Record Singers group also worked in this way.. Perhaps not against censorship but as an effort to claim normatives space&nbsp;to execute&nbsp;their non-normative actions at. She also warns us that (unpaid) audience participation is a result of audiences being subordinated to the artists will (participation can be an extension of capitalism).<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Art as a de-alienating human endeavour&#8221;. Preparing&nbsp;for Hollo-seminars with Claire Bishop\u2019s Participation and Spectacle: Where Are We Now?. She says that artists in countries behind the Iron-Curtain masqueraded their socially engaged art processes&nbsp;as formal&nbsp;social events (such as weddings) to avoid censorship. The Record Singers group also worked in this way.. Perhaps not against censorship but &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/eero.storijapan.net\/docfolio\/20170410-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;20170410&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[327,262,21],"class_list":["post-1535","post","type-post","status-publish","format-standard","hentry","category-log","tag-claire-bishop","tag-hollo-institute","tag-record-singers"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/1535","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=1535"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/1535\/revisions"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=1535"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/categories?post=1535"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/tags?post=1535"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}