{"id":1612,"date":"2017-04-27T14:24:09","date_gmt":"2017-04-27T11:24:09","guid":{"rendered":"http:\/\/eero.storijapan.net\/log\/?p=1612"},"modified":"2019-08-14T13:10:57","modified_gmt":"2019-08-14T10:10:57","slug":"20170427-2","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/20170427-2\/","title":{"rendered":"20170427"},"content":{"rendered":"

Cute short on the state of affairs between Art & Politics: Best Friends Forever<\/a> (2017) by Liu Shiyuan and Kristian Mondrup.<\/p>\n

Revisiting Greener Grass<\/a> (2010) by Mari Keski-Korsu. Today the work is even more relevant.<\/p>\n

Visited Arttu Merimaas’ Grandfather’s Leather Club<\/a> exhibition at Sinne gallery. It is great. Thanks to the Cruel Radiance… course we hosted I got an updated view to his art and with this insight the exhibition felt like a warm handshake. The pieces were critically materialistic but optimistic. Instead of making crude suggestions (as seen in the Autochthonic Fantasy<\/a>) he displayed queer fearytail aesthetics with faint references to public monuments in Helsinki. There were horse pictures too! After Sinne I visited Hippolyte for Pekka Niskanen & Robert Aeberhard Sounds That Shouldn\u2019t Be There. <\/a>I read it as a sacrifice on the grave of modernism.<\/p>\n","protected":false},"excerpt":{"rendered":"

Cute short on the state of affairs between Art & Politics: Best Friends Forever (2017) by Liu Shiyuan and Kristian Mondrup. Revisiting Greener Grass (2010) by Mari Keski-Korsu. Today the work is even more relevant. Visited Arttu Merimaas’ Grandfather’s Leather Club exhibition at Sinne gallery. It is great. Thanks to the Cruel Radiance… course we hosted I got an updated view to his … <\/p>\n

Continue reading “20170427”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[133,374,375,376,377,378,379,380,190],"class_list":["post-1612","post","type-post","status-publish","format-standard","hentry","category-log","tag-arttu-merimaa","tag-hippolyte","tag-kristian-mondrup","tag-liu-shiyuan","tag-mari-keski-korsu","tag-pekka-niskanen","tag-robert-aeberhard","tag-sinne","tag-the-cruel-radiance-of-what-is"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/1612","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=1612"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/1612\/revisions"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=1612"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/categories?post=1612"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/tags?post=1612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}