{"id":1746,"date":"2017-06-15T19:21:43","date_gmt":"2017-06-15T16:21:43","guid":{"rendered":"http:\/\/eero.storijapan.net\/log\/?p=1746"},"modified":"2017-06-15T19:21:43","modified_gmt":"2017-06-15T16:21:43","slug":"20170615-2","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/20170615-2\/","title":{"rendered":"20170615"},"content":{"rendered":"

Photos of the Sound of Work -exhibition<\/a> online. Feeling happy about the display. The brick dust on the floors is a justified part of the exhibition. It draws focus to infra-art. Still waiting for videos of our gig to come online.<\/p>\n

Served as a camera assistant in M-Cult’s Shades of Agency seminar<\/a> and came to the realization that artist cannot make “community arts” \u2013 Only communities can make community arts. If an artist is involved the result can be art “with” or “about” a community.. But the result is just “art”. Community arts can be produced in a relationship or by initiative of a facilitator but no artist is needed. Only communities can make (or choose not to make) community art. #\u0950<\/p>\n

Learning about The Museum of Impossible Forms<\/a>. The project is challenging. Framing a temporary project space as a museum feels tandy. Who are they trying to convince and why convince them by dressing the project as a museum? Museums are dead.. They only move when bashed with critique. Challenges make them appear vital \u2013 Ignoring them is the best way to silence them. I’ll have to read why exhibit at all?<\/a> by Lotte Arndt to understand the motivations with the group better.<\/p>\n","protected":false},"excerpt":{"rendered":"

Photos of the Sound of Work -exhibition online. Feeling happy about the display. The brick dust on the floors is a justified part of the exhibition. It draws focus to infra-art. Still waiting for videos of our gig to come online. Served as a camera assistant in M-Cult’s Shades of Agency seminar and came to the realization that artist cannot … <\/p>\n

Continue reading “20170615”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[406,407,209,219,408],"class_list":["post-1746","post","type-post","status-publish","format-standard","hentry","category-log","tag-infra-art","tag-lotte-arndt","tag-m-cult","tag-sound-of-work-blacksmith","tag-the-museum-of-impossible-forms"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/1746","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=1746"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/1746\/revisions"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=1746"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/categories?post=1746"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/tags?post=1746"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}