{"id":1957,"date":"2017-08-05T17:22:59","date_gmt":"2017-08-05T14:22:59","guid":{"rendered":"http:\/\/eero.storijapan.net\/log\/?p=1957"},"modified":"2017-08-05T17:22:59","modified_gmt":"2017-08-05T14:22:59","slug":"20170805-2","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/20170805-2\/","title":{"rendered":"20170805"},"content":{"rendered":"<p>Interesting experiment with mG2! Made a piano roll in Logic X which triggered samples (through midi) that I chopped from an interview of my grandfather. mG2 can play 6 samples per bank but it accepts program changes to access new sample banks (I think it can have over 60 banks). I wrote program change messages in the piano roll so I could access all of the interview samples through Logic X. I could experiment chopping an interview into samples (which I would keep in the synth) and edit the interview using some kind of (partially automated) drum system. Instead of editing an interview this approach would synthesize the voice of a person. As discussed with Pietari editing an interview can be approached as some kind of narrative-granular-synthesis.<\/p>\n<p>Succeeded in building an almost functional midi clock sync between Automatonism and external midi gear!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Interesting experiment with mG2! Made a piano roll in Logic X which triggered samples (through midi) that I chopped from an interview of my grandfather. mG2 can play 6 samples per bank but it accepts program changes to access new sample banks (I think it can have over 60 banks). I wrote program change messages &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/eero.storijapan.net\/docfolio\/20170805-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;20170805&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[16,424,28],"class_list":["post-1957","post","type-post","status-publish","format-standard","hentry","category-log","tag-pietari-kylmala","tag-pure-data","tag-sampler"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/1957","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=1957"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/1957\/revisions"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=1957"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/categories?post=1957"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/tags?post=1957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}