{"id":2152,"date":"2017-09-21T19:17:45","date_gmt":"2017-09-21T16:17:45","guid":{"rendered":"http:\/\/eero.storijapan.net\/log\/?p=2152"},"modified":"2017-09-21T19:17:45","modified_gmt":"2017-09-21T16:17:45","slug":"20170921-2","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/20170921-2\/","title":{"rendered":"20170921"},"content":{"rendered":"<p>Hans Ulrich Obrist on <a href=\"https:\/\/www.artsy.net\/article\/artsy-editorial-hans-ulrich-obrist-artists-politics\">Why We Need Artists in Politics<\/a> (2017)<\/p>\n<blockquote><p>Bruguera\u2019s candidacy is both a culmination of her life\u2019s work as an artist, and a perhaps unintentional homage to the ambitions of the APG, which positioned the artist as an Incidental Person within existing social and political structures to effect change. Tania is among those artists applying the lessons taught by artists such as John Latham to the present moment.<\/p><\/blockquote>\n<p><a href=\"https:\/\/alternativeright.hopenothate.com\/my-year-inside-the-international-alt-right\">My year inside the international alt-right<\/a> (2017) by Patrik Hermansson<\/p>\n<blockquote><p>Jeffrey, one of their leaders, says that they\u2019ve put the limit at 1\/8th, meaning that you cannot have more than one-eighth \u201cnon-white blood\u201d to be considered for membership and even claim that they require recruits to take a DNA test to prove it.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Hans Ulrich Obrist on Why We Need Artists in Politics (2017) Bruguera\u2019s candidacy is both a culmination of her life\u2019s work as an artist, and a perhaps unintentional homage to the ambitions of the APG, which positioned the artist as an Incidental Person within existing social and political structures to effect change. Tania is among &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/eero.storijapan.net\/docfolio\/20170921-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;20170921&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[487,488,489,367],"class_list":["post-2152","post","type-post","status-publish","format-standard","hentry","category-log","tag-hans-ulrich-obrist","tag-john-latham","tag-patrik-hermansson","tag-tania-bruguera"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/2152","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=2152"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/2152\/revisions"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=2152"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/categories?post=2152"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/tags?post=2152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}