{"id":234,"date":"2016-05-15T08:52:03","date_gmt":"2016-05-15T05:52:03","guid":{"rendered":"http:\/\/eero.storijapan.net\/log\/?p=234"},"modified":"2016-05-15T08:52:03","modified_gmt":"2016-05-15T05:52:03","slug":"20160515-2","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/20160515-2\/","title":{"rendered":"20160515"},"content":{"rendered":"<p>&#8220;We no longer have a linear time, in the sense of the past being followed by the present and then the future. It\u2019s rather the other way around: the future happens before the present. Time arrives from the future.&#8221;<\/p>\n<p>&#8220;We are in a future which has surpassed the conditions and the terms of the past.&#8221;<\/p>\n<p><a href=\"http:\/\/dismagazine.com\/discussion\/82090\/introduction-to-the-time-complex-postcontemporary\/\">DIS magazine<\/a> on what happens when accelerationism reaches full pace.<\/p>\n<p>Visited the &#8220;Y\u00f6vuoro\/Night Shift&#8221; protest   and talks in a park close to the Kiasma museum and the Parliament House. The invitation read: &#8220;What would you like to do? In which ways can artists take part in political debate? What should be discussed right now? What should one do right now?&#8221;. People were tasked to give 5 min creative introductions on matters they felt important to address. The meeting was inspired by the #GlobalDebout\u00a0events. The PA was loud but I still failed to make sense what people where talking about. Ended up gossiping about art with colleagues.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;We no longer have a linear time, in the sense of the past being followed by the present and then the future. It\u2019s rather the other way around: the future happens before the present. Time arrives from the future.&#8221; &#8220;We are in a future which has surpassed the conditions and the terms of the past.&#8221; &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/eero.storijapan.net\/docfolio\/20160515-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;20160515&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-234","post","type-post","status-publish","format-standard","hentry","category-log"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/234","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=234"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/234\/revisions"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=234"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/categories?post=234"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/tags?post=234"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}