{"id":2387,"date":"2017-12-02T11:52:39","date_gmt":"2017-12-02T09:52:39","guid":{"rendered":"http:\/\/eero.storijapan.net\/log\/?p=2387"},"modified":"2017-12-02T11:52:39","modified_gmt":"2017-12-02T09:52:39","slug":"20171202-2","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/20171202-2\/","title":{"rendered":"20171202"},"content":{"rendered":"<p>The figure of a white western heterosexual male who is unaware of his privileges is an inverted-fantasy \u2013 A figure which is rigorously maintained, so that our critical efforts can build up against a solid structure. We should develop and popularize critical thinking which does not lean against this figure, which carries it&#8217;s own weight with ease. I think that the &#8220;white western heterosexual male who is unaware of his privileges&#8221; figure is a nostalgia trip, a romantic echo intended to remind us of simpler times. The #metoo campaign has produced a lot of detailed descriptions of harassment&#8230; Stories of Harvey Weinsteins misconduct are written and dramatized to be entertaining. The way harassment and rape-events are depicted should be read and criticised as soft-porn, which is intended appeal to the readers concealed fantasies of patriarchal dominance and sexual power. Criticism seldom engages with structures which give figures like Weinstein power: Precariat work conditions and capitalism. I think that criticism of a singular figures inadvertently supports violent structures.<\/p>\n<p>A-sexualization is a radical form of protest.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The figure of a white western heterosexual male who is unaware of his privileges is an inverted-fantasy \u2013 A figure which is rigorously maintained, so that our critical efforts can build up against a solid structure. We should develop and popularize critical thinking which does not lean against this figure, which carries it&#8217;s own weight &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/eero.storijapan.net\/docfolio\/20171202-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;20171202&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[537],"class_list":["post-2387","post","type-post","status-publish","format-standard","hentry","category-log","tag-harvey-weinstein"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/2387","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=2387"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/2387\/revisions"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=2387"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/categories?post=2387"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/tags?post=2387"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}