{"id":2643,"date":"2018-02-07T14:03:24","date_gmt":"2018-02-07T12:03:24","guid":{"rendered":"https:\/\/eero.storijapan.net\/log\/?p=2643"},"modified":"2018-02-07T14:03:24","modified_gmt":"2018-02-07T12:03:24","slug":"20180207-2","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/20180207-2\/","title":{"rendered":"20180207"},"content":{"rendered":"<p>My biggest concern about the normalization of sex-robots is that capitalist will use them to provide the labor-force with ad-hoc emotional and sexual companionship, at the same time they&#8217;re advancing working conditions which make long-term human-to-human relationships difficult to arrange and maintain. A dystopia where AI&#8217;s serve capitalist interests is portrayed in the Blade Runner 2049 film. The protagonist K condones humiliating working conditions thanks to the loving support of his AI hologram girlfriend <span style=\"color: #222222;\">Joi<\/span>. K is motivated to work so that he can afford to upgrade her with a piece of tech that will allow her to move outside their house. Joi&#8217;s character can be read as criticism of processes which seek to commodify feminist movements. The device she uses to move outside (or project herself outside) looks like a futuristic ipod nano.<\/p>\n<p>It&#8217;s not freedom if you need to buy something to achieve it #\u0950<\/p>\n","protected":false},"excerpt":{"rendered":"<p>My biggest concern about the normalization of sex-robots is that capitalist will use them to provide the labor-force with ad-hoc emotional and sexual companionship, at the same time they&#8217;re advancing working conditions which make long-term human-to-human relationships difficult to arrange and maintain. A dystopia where AI&#8217;s serve capitalist interests is portrayed in the Blade Runner &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/eero.storijapan.net\/docfolio\/20180207-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;20180207&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[96,22,107],"class_list":["post-2643","post","type-post","status-publish","format-standard","hentry","category-log","tag-96","tag-22","tag-new-material-intercource"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/2643","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=2643"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/2643\/revisions"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=2643"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/categories?post=2643"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/tags?post=2643"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}