{"id":3467,"date":"2018-04-11T16:28:32","date_gmt":"2018-04-11T13:28:32","guid":{"rendered":"https:\/\/eero.storijapan.net\/docfolio\/?p=3467"},"modified":"2018-12-30T18:25:48","modified_gmt":"2018-12-30T16:25:48","slug":"20180411-2","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/20180411-2\/","title":{"rendered":"20180411"},"content":{"rendered":"<p>My article in Finnish: <a href=\"http:\/\/mustekala.info\/sivusilma\/ymparistotaiteen-konservoinnin-jaljilla\/\">Ymp\u00e4rist\u00f6taiteen konservoinnin j\u00e4ljill\u00e4<\/a> (On the trail of Environmental Art Conservation) is available online. It&#8217;s packed with strong claims concerning public art and a rare view to Land Arts. The text features:<\/p>\n<ul>\n<li>A detailed report of the conservation efforts of Spiral Jetty (1970)<\/li>\n<li>A summary on what nonsites are (according to Robert Smithson) and how text build landscapes<\/li>\n<li>A well grounded argument that land-art conservation efforts should be organised in s\u00e9ance-sessions<\/li>\n<li>An argument that temporary events (performances, campaigns) can be used as monuments which serve neoliberal economics<\/li>\n<li>An argument that The Tree Mountain 1996 by Agnes Denes does not help to protect nature (I don&#8217;t think it&#8217;s even intended to)<\/li>\n<li>An argument that site-specific, land- environmental- and street art, seek to expand the dominance of institutional art thinking<\/li>\n<li>An view (between the lines) that artists should consider what kind of infrastructure their artworks are depended on (more then the art they make)<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>My article in Finnish: Ymp\u00e4rist\u00f6taiteen konservoinnin j\u00e4ljill\u00e4 (On the trail of Environmental Art Conservation) is available online. It&#8217;s packed with strong claims concerning public art and a rare view to Land Arts. The text features: A detailed report of the conservation efforts of Spiral Jetty (1970) A summary on what nonsites are (according to Robert &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/eero.storijapan.net\/docfolio\/20180411-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;20180411&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[468,630,732],"class_list":["post-3467","post","type-post","status-publish","format-standard","hentry","category-log","tag-agnes-denes","tag-mustekala-info","tag-robert-smithson"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/3467","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=3467"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/3467\/revisions"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=3467"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/categories?post=3467"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/tags?post=3467"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}