{"id":3936,"date":"2018-07-13T00:04:10","date_gmt":"2018-07-12T21:04:10","guid":{"rendered":"https:\/\/eero.storijapan.net\/docfolio\/?p=3936"},"modified":"2018-07-13T22:56:15","modified_gmt":"2018-07-13T19:56:15","slug":"20180712-2","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/20180712-2\/","title":{"rendered":"20180712"},"content":{"rendered":"

Participating in the ISCP weekly Open Doors Thursday. The beginning of the day was busy. I got to meet nice people but I got tired pretty fast. I retreated into my studio and started to log\/quasi-edit Signal #6 (Cifas) footage which was shot by by Camille Laufer in 2017. Here is a raw cut of the Trans-Horse Parade<\/a> and some footage form Care & Control workshops<\/a>.<\/p>\n

My visit to Staten Island (on Monday) felt like a beating, I’m still recovering. Busses were late, I was late, it was hot and I was so sweaty I couldn’t hold my camera rig steady. I didn’t have stamina to direct the interview I shot. The footage is almost good, better then I feared (More on that later). Bought a Rode RodeLink Wireless microphone system which worked well (Learning how to balance the audio will take a while).<\/p>\n

Discovered Kensington Stables<\/a> at Prospect Park. 45$ for an hour with a horse \u2013 Not bad! I learned from the news that there are a drastic development plans for the area and the local urban horse culture is under thread. I guess I’ll go to a riding class next week.<\/p>\n

Why the Ed Sheeran lawsuit makes no sense<\/a> (2018) Adam Neely. A very convincing video, arguing that some copyright lawsuits benefit lawyers (who work for corporations), at the expense of artists (who work for music).<\/p>\n","protected":false},"excerpt":{"rendered":"

Participating in the ISCP weekly Open Doors Thursday. The beginning of the day was busy. I got to meet nice people but I got tired pretty fast. I retreated into my studio and started to log\/quasi-edit Signal #6 (Cifas) footage which was shot by by Camille Laufer in 2017. Here is a raw cut of … <\/p>\n

Continue reading “20180712”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[813,811,810,795,812,251,20],"class_list":["post-3936","post","type-post","status-publish","format-standard","hentry","category-log","tag-adam-neely","tag-camille-laufer","tag-cifas","tag-international-studio-and-curatorial-program","tag-kensington-stables","tag-signal-2","tag-trans-horse"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/3936","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=3936"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/3936\/revisions"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=3936"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/categories?post=3936"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/tags?post=3936"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}