{"id":4264,"date":"2018-09-21T17:14:37","date_gmt":"2018-09-21T14:14:37","guid":{"rendered":"https:\/\/eero.storijapan.net\/docfolio\/20180921-2\/"},"modified":"2018-09-26T22:44:43","modified_gmt":"2018-09-26T19:44:43","slug":"20180921-2","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/20180921-2\/","title":{"rendered":"20180921"},"content":{"rendered":"

A Brief History of Electric Guitar Distortion<\/a> (2018) Polyphonic. A good overview on how poor sound quality became perceived as rich. It’s interesting think about the link blues has with noise. Blues and jazz were considered noisy in their time but eventually they were perceived as elegant and clean. At some point the instruments were removed and we were left with just noise (amps, mixers and pedals). It’s a pity that grooves and noise were separated.<\/p>\n

Luckily I was introduced to Clipping<\/a> whos earlier work like midcity<\/a> (2013) re-fuze noise with rap (it can be downloaded for free!). Songs like bullshit<\/a> (2013) and their later work merge noise with grooves – Which seems like a positively disruptive development (in both ways noise->rap & rap->noise).<\/p>\n","protected":false},"excerpt":{"rendered":"

A Brief History of Electric Guitar Distortion (2018) Polyphonic. A good overview on how poor sound quality became perceived as rich. It’s interesting think about the link blues has with noise. Blues and jazz were considered noisy in their time but eventually they were perceived as elegant and clean. At some point the instruments were … <\/p>\n

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