{"id":5180,"date":"2012-09-26T18:46:00","date_gmt":"2012-09-26T15:46:00","guid":{"rendered":"https:\/\/eero.storijapan.net\/docfolio\/selected-posts\/"},"modified":"2018-12-11T16:46:31","modified_gmt":"2018-12-11T14:46:31","slug":"selected-posts","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/selected-posts\/","title":{"rendered":"NO-CHAIR-DESIGN: Selected Posts 2012 +"},"content":{"rendered":"

Highlights of chair related texts and media made and consumed during the NO-CHAIR-DESIGN\u00a0Campaign<\/a>. The\u00a0campaign hoped to convince designers that “designing new chair is a waste of time”. This post was made in preparation of our\u00a0campaign\u00a0newsletter<\/a>\u00a0#2 and edits where made early 2013 as active work on the\u00a0campaign\u00a0ended.<\/em><\/p>\n

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1.\u00a0“A Selection of DE-CHAIRIFICATIONS”<\/a>\u00a0<\/strong>De-chairification<\/em><\/strong>\u00a0the process of removing chairs from images in which chairs are crucial. Here is a selection of notable chair related images before-and-after de-chairification. Take a look..<\/em><\/p>\n

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2.\u00a0Chair for Torture and Pleasure<\/a><\/strong>\u00a0Why do horror movies show empty chairs? Why do strippers do duo-acts with chairs? An\u00a0illustrated\u00a0round up discovering ways chairs have been used for terror and sex.\u00a0<\/em><\/p>\n

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3. <\/strong>3D Printers Effect on Environmental Thinking<\/a>\u00a0<\/strong>There is a story circulating out there that in the near future design will be manufactured with 3d printers. Some argue that this will save the economy.. But how will manufacturing by printing affect our\u00a0environmental\u00a0thinking?<\/em><\/p>\n

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4.On the topic of Chairs in Paintings<\/a><\/u><\/strong>\u00a0Helsinki based painter and artist Iidu Tikkanen<\/strong> talks of her favorite chair themed paintings and attempts to answer an unfair question: Why do painters paint chairs in the first place?<\/em><\/p>\n

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5. “Confusing a Shopping Center with Invisible Chair”.<\/a>\u00a0<\/strong>An invisible chair was build to promote the NCD-Campaign for city dwellers. Here is a short review on how it was used and received in a shopping center in Jyv\u00e4skyl\u00e4.<\/em><\/p>\n

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6.\u00a0\u201cIt\u2019s is NOT about the Money anymore.\u201d<\/a><\/u><\/strong>\u00a0Hannu Lammi<\/strong>\u00a0a buss-driver from Tampere, Finland enrolled to to the \u201cDigger-Competition" 2011. He ended up sitting in a small digger situated in a shopping-center for some 180 days in hopes of winning it!<\/em><\/p>\n

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7. Happy Birthday Stefan Lindfors<\/a>\u00a0<\/strong>An invisible chair performance as a birthday present for a designer who has designed it all?! Back in the day Stefan Lindfors had his go on sustainable design.. Wanna learn how that went?<\/em><\/p>\n

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8. Pictorial from the Swingers Club for Mature Chairs<\/a>\u00a0<\/strong>K\u00e4\u00e4nt\u00f6p\u00f6yt\u00e4 (Turntable) the Urban Farming Center of Pasila invited NCD-Campaign\u00a0to run a workshop for repairing chairs in Pasila and more. During a long and cold weekend a Pasila region\u00a0specific\u00a0style of carpentry was born.<\/em><\/p>\n

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9. As I attempted to reach Kosuth..<\/a><\/strong>\u00a0We attempted to reach artist\u00a0Joseph Kosuth<\/strong>\u00a0the man\u00a0behind the notorious \u201cOne and Three Chairs<\/strong>\u201d (1965) artwork.. But given the nature of the creative industry it’s near\u00a0impossible\u00a0to reach\u00a0practitioners how produced iconic art…\u00a0<\/em>even though your intentions are good. Here is what happened…<\/em><\/p>\n

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10. Contemporary Artist are trained in \u201cThe Art of Deconstruction"<\/a><\/strong>. What is that about and when will construction and restoration become mainstream? A chair themed example of the deconstruction work is the \u201cDer 5. Stuhl\u201d by Eva Chytilek<\/strong>. Let’s use that as an example…<\/em><\/p>\n

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11.\u00a0Economic Chaos Illustrated With Chairs<\/a><\/u><\/strong>. Coverage of the\u00a0<\/em>\u201cPLASTIK FANTASTIK\u201d (2012) piece by\u00a0<\/em>REFUNC which was presented at Manifesta 9.<\/em><\/p>\n

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12.\u00a0Why NOT call Art projects Art?<\/a>\u00a0A recording made two months after the\u00a0campaign\u00a0started. A lengthy monologue gives some insight to motivations behind the\u00a0campaign.<\/em><\/p>\n

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This is a selection of post made during the NO-CHAIR-DESIGN\u00a0Campaign<\/a>\u00a0run by Ore.e Refineries<\/a>\u00a0(January 2011-December 2012).<\/p>\n","protected":false},"excerpt":{"rendered":"

Highlights of chair related texts and media made and consumed during the NO-CHAIR-DESIGN\u00a0Campaign. The\u00a0campaign hoped to convince designers that “designing new chair is a waste of time”. This post was made in preparation of our\u00a0campaign\u00a0newsletter\u00a0#2 and edits where made early 2013 as active work on the\u00a0campaign\u00a0ended. 1.\u00a0“A Selection of DE-CHAIRIFICATIONS”\u00a0De-chairification\u00a0the process of removing chairs from … <\/p>\n

Continue reading “NO-CHAIR-DESIGN: Selected Posts 2012 +”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1503],"tags":[648],"class_list":["post-5180","post","type-post","status-publish","format-standard","hentry","category-no-chair-design","tag-joseph-kosuth"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/5180","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=5180"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/5180\/revisions"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=5180"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/categories?post=5180"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/tags?post=5180"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}