{"id":5217,"date":"2012-06-06T20:42:07","date_gmt":"2012-06-06T17:42:07","guid":{"rendered":"https:\/\/eero.storijapan.net\/docfolio\/manifesta9-the-european-biennial-of-contemporary\/"},"modified":"2018-12-11T16:56:43","modified_gmt":"2018-12-11T14:56:43","slug":"manifesta9-the-european-biennial-of-contemporary","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/manifesta9-the-european-biennial-of-contemporary\/","title":{"rendered":"NO-CHAIR-DESIGN: De-chairification of REFUNC"},"content":{"rendered":"<div data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\/\/eero.storijapan.net\/docfolio\/manifesta9-the-european-biennial-of-contemporary\/&quot;}' id='gallery-1' class='gallery galleryid-5217 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/eero.storijapan.net\/docfolio\/manifesta9-the-european-biennial-of-contemporary\/attachment\/5218\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/eero.storijapan.net\/docfolio\/wp-content\/uploads\/2012\/06\/tumblr_m57qu8GgLM1qimc01o1_1280-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/eero.storijapan.net\/docfolio\/wp-content\/uploads\/2012\/06\/tumblr_m57qu8GgLM1qimc01o1_1280-150x150.png 150w, https:\/\/eero.storijapan.net\/docfolio\/wp-content\/uploads\/2012\/06\/tumblr_m57qu8GgLM1qimc01o1_1280-100x100.png 100w, https:\/\/eero.storijapan.net\/docfolio\/wp-content\/uploads\/2012\/06\/tumblr_m57qu8GgLM1qimc01o1_1280-50x50.png 50w\" sizes=\"auto, 100vw\" data-attachment-id=\"5218\" data-permalink=\"https:\/\/eero.storijapan.net\/docfolio\/manifesta9-the-european-biennial-of-contemporary\/attachment\/5218\/\" data-orig-file=\"https:\/\/eero.storijapan.net\/docfolio\/wp-content\/uploads\/2012\/06\/tumblr_m57qu8GgLM1qimc01o1_1280.png\" data-orig-size=\"1280,1811\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/eero.storijapan.net\/docfolio\/wp-content\/uploads\/2012\/06\/tumblr_m57qu8GgLM1qimc01o1_1280-724x1024.png\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p><a href=\"http:\/\/manifesta9.org\/en\/home\/\" target=\"_blank\">Manifesta9<\/a> &#8211; <em>The European Biennial of Contemporary Art<\/em> is about to open and one crew presenting their work there is the <a href=\"http:\/\/refunc.nl\/\" target=\"_blank\">REFUNC<\/a> from the Netherlands. We covered their piece <strong>PLASTIK FANTASTIK<\/strong> (2012) in an <a href=\"http:\/\/no-chair-design.tumblr.com\/post\/21837910707\/economic-chaos-illustrated-with-chairs\" target=\"_blank\">earlier post<\/a> and to top it off here is a <em>DE-CHAIRIFICATION<\/em> of their documentation picture. <\/p>\n<p>Looking to the subject of removing chairs.. Here is a youtube playlist showing a series of eight plastic chairs being burned: <\/p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"525\" height=\"296\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en&#038;autohide=2&#038;wmode=transparent&#038;listType=playlist&#038;list=PLB856F774F526D66D\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<p>And just in case you have never seen a plastic chair produced here is a video from Pakistan showing how it is done.<\/p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"525\" height=\"296\" src=\"https:\/\/www.youtube.com\/embed\/TxOaIVXdEQk?version=3&#038;rel=0&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n","protected":false},"excerpt":{"rendered":"<p>Manifesta9 &#8211; The European Biennial of Contemporary Art is about to open and one crew presenting their work there is the REFUNC from the Netherlands. We covered their piece PLASTIK FANTASTIK (2012) in an earlier post and to top it off here is a DE-CHAIRIFICATION of their documentation picture. Looking to the subject of removing &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/eero.storijapan.net\/docfolio\/manifesta9-the-european-biennial-of-contemporary\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;NO-CHAIR-DESIGN: De-chairification of REFUNC&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1503],"tags":[1359],"class_list":["post-5217","post","type-post","status-publish","format-gallery","hentry","category-no-chair-design","tag-refunc","post_format-post-format-gallery"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/5217","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=5217"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/5217\/revisions"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=5217"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/categories?post=5217"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/tags?post=5217"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}