{"id":5984,"date":"2018-12-11T17:30:31","date_gmt":"2018-12-11T15:30:31","guid":{"rendered":"https:\/\/eero.storijapan.net\/docfolio\/?p=5984"},"modified":"2019-04-18T17:53:55","modified_gmt":"2019-04-18T14:53:55","slug":"20181211-2","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/20181211-2\/","title":{"rendered":"20181211"},"content":{"rendered":"<p>Heard <a href=\"http:\/\/sacredrealism.org\/andrewlafkas\/index.html\">Andrew Lafkas<\/a> in a Pennies from Heaven #9 event, organized by Control &amp; B\u00e1nh M\u00ec Verlag. This was one of the best gigs I&#8217;ve visited in the city. Lafkas played a contra-bass. He started the concert by droning individual strings for very long, which heightened our sensitivity to the resonances of the instrument. After the drone-phase be begun strumming the strings, while partially muting them. This caused string harmonic tones, which Lafkas focused on for the rest of the show. He produced a string harmonic melody, simultaneously with a bass line (caused by the striking of the strings) and the strings hitting the neck of the bass developed into a percussive beat. His performance was very physical and intensive.<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=pLIhv_vQryw\">Spicy Takes &#8211; Is Intersectionality Class-Cucking the Left?<\/a> by Zero Books. A humorous and provocative attempt to reaffirm an alliance between Marxist class analysis and intersectional feminism.<\/p>\n<p>Took some time and transferred all of the posts from hevoslinja.tumblr.com to this site. All of the +90 entries are designated to the <a href=\"https:\/\/eero.storijapan.net\/docfolio\/category\/suomeksi\/hevoslinja\/\">Hevoslinja category<\/a> (Finnish only). This was done due to changes in the tumblr service. Also transferred all no-chair-design.tumblr.com entries to this blog. Had to do some cleaning (removing broken links etc. There is still work to be done). All of the +50 entries are designated the <a href=\"https:\/\/eero.storijapan.net\/docfolio\/category\/english\/no-chair-design\/\">NO-CHAIR-DESIGN category<\/a> (English only). Also transferred the <a href=\"http:\/\/trans-mars.com\/\">trans-mars.com<\/a> blog entries from 2005 to this blog. Those entries are found in the <a href=\"https:\/\/eero.storijapan.net\/docfolio\/category\/suomeksi\/trans-mars\/\">TRANS-MARS category<\/a> (Finnish).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Heard Andrew Lafkas in a Pennies from Heaven #9 event, organized by Control &amp; B\u00e1nh M\u00ec Verlag. This was one of the best gigs I&#8217;ve visited in the city. Lafkas played a contra-bass. He started the concert by droning individual strings for very long, which heightened our sensitivity to the resonances of the instrument. After &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/eero.storijapan.net\/docfolio\/20181211-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;20181211&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[1507,1588,840,839,994],"class_list":["post-5984","post","type-post","status-publish","format-standard","hentry","category-log","tag-andrew-lafkas","tag-art-writing","tag-banh-mi-verlag","tag-control","tag-zero-books"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/5984","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=5984"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/5984\/revisions"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=5984"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/categories?post=5984"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/tags?post=5984"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}