{"id":6198,"date":"2019-04-09T13:45:42","date_gmt":"2019-04-09T10:45:42","guid":{"rendered":"https:\/\/eero.storijapan.net\/docfolio\/?p=6198"},"modified":"2021-02-10T11:33:02","modified_gmt":"2021-02-10T09:33:02","slug":"20190409-2","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/20190409-2\/","title":{"rendered":"20190409"},"content":{"rendered":"<p>Participated in the first Performing the Fringe -event or un-conference in Stockholm last weekend. The research project is organized by curators Inga L\u0101ce &amp; Jussi Koitela and the process will continue till 2020. The project feels very similar to the Alkovi Gallery Russian-focus program and activities I&#8217;m participating in (which is convenient). We walked and talked for two days around the H\u00f6kar\u00e4ngen district. Our group was introduced to the area by researcher Moa Tunstr\u00f6m and other activist\/artists. We visited <a href=\"https:\/\/cyklopen.se\/\">Kulturhuset Cyklopen<\/a>, local allotment gardens which were introduced to us by <a href=\"http:\/\/jannaholmstedt.com\/\">Janna Holmstedt<\/a>, an old (still active) graffitiwall which was introduced to us by <a href=\"https:\/\/erikssonlina.wordpress.com\/about-2\/\">Lina Eriksson<\/a> and a horse stable where we met Svarten (horse). Activities were centered around <a href=\"http:\/\/www.konsthallc.se\/\">Konsthall C<\/a>, which managing director Erik Annerborn hosted us warmly. The group participating in Performing the Fringe consists of artists from the Baltic-Nordic region. I had the pleasure to meet <a href=\"http:\/\/www.andrejpolukord.tumblr.com\">Andrej Polukord<\/a> (he also is the director of <a href=\"http:\/\/galerieuberall.tumblr.com\/\">Galerie Uberall<\/a>, we coined the term Easternational in a chat), <a href=\"http:\/\/www.asbjornskou.com\">Asbj\u00f8rn Skou<\/a> (we talked about kettlebells!), <a href=\"http:\/\/www.flokasearu.eu\">Flo Kasearu<\/a> (who gave a great presentation of her <a href=\"http:\/\/flokasearu.eu\/muuseum\/\">house museum<\/a>), <a href=\"http:\/\/www.jontalleras.com\">Jon Benjamin Taller\u00e5s<\/a> (we talked about carpentry. Taller\u00e5s shared his view that urban structures which are designed to guide our movements work because they have a &#8220;semiotic quality to them&#8221;. We could easily bypass a fence but it is intended to be read read as like a language. The fence speaks to us and says: &#8220;Don&#8217;t move from here.&#8221;) and <a href=\"http:\/\/www.valentinakarga.com\">Valentina Karga<\/a> (whom I know from her work <a href=\"https:\/\/vimeo.com\/200382067\">in Maunula<\/a>). The group will head to Pori during the summer and my next engagement with the project will be in Vilnius.<\/p>\n<p><a href=\"https:\/\/play.acast.com\/s\/the-another-europe-podcast\/17-will-brexit-break-up-the-uk?autoplay\">Will Brexit break up the UK?<\/a> (2019) An Other Europe Podcast. A very tight analysis of the ideological backgrounds of Brexit. Offers many useful concepts such as &#8220;structural emotion&#8221; which explains the process when politicians work to justify their feelings using rational arguments.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Participated in the first Performing the Fringe -event or un-conference in Stockholm last weekend. The research project is organized by curators Inga L\u0101ce &amp; Jussi Koitela and the process will continue till 2020. The project feels very similar to the Alkovi Gallery Russian-focus program and activities I&#8217;m participating in (which is convenient). We walked and &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/eero.storijapan.net\/docfolio\/20190409-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;20190409&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[4],"tags":[1404,1576,1588,1577,1575,604,1578,1573,1580,1645,77,185,1574,1581,1579,20],"class_list":["post-6198","post","type-post","status-publish","format-standard","hentry","category-log","tag-alkovi-gallery","tag-andrej-polukord","tag-art-writing","tag-asbjorn-skou","tag-erik-annerborn","tag-flo-kasearu","tag-galerie-uberall","tag-inga-lace","tag-janna-holmstedt","tag-jon-benjamin-talleras","tag-jussi-koitela","tag-kettlebell","tag-konsthall-c","tag-moa-tunstrom","tag-performing-the-fringe","tag-trans-horse"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/6198","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=6198"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/6198\/revisions"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=6198"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/categories?post=6198"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/tags?post=6198"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}