{"id":65,"date":"2016-03-26T21:31:56","date_gmt":"2016-03-26T19:31:56","guid":{"rendered":"http:\/\/eero.storijapan.net\/log\/?p=65"},"modified":"2016-03-26T21:31:56","modified_gmt":"2016-03-26T19:31:56","slug":"20160326-2","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/20160326-2\/","title":{"rendered":"20160326"},"content":{"rendered":"<p>Reading &#8220;<a href=\"http:\/\/www.versobooks.com\/books\/2090-in-the-flow\">In the Flow<\/a>&#8221; by Boris Groys. We bought the e-book with a group and there are so plans to write a critique of it in some online magazine. The text Kylm\u00e4l\u00e4, Salusj\u00e4rvi &amp; Ylikangas recently published feels nagging in relation to Groys, who celebrates the event fullness of the contemporary museum.<\/p>\n<p>I don&#8217;t agree that &#8220;&#8230; art in flux is better documented than ever before, and the documentation is better preserved and distributed than traditional artworks&#8221;. Because even though people take photos and make videos no one is building an index. A video is not a documentation, it&#8217;s spam before someone goes trough the trouble of cataloging it. Cataloguing builds references and context.<\/p>\n<p>If you refuse an &#8220;unpaid&#8221; gig, you can make a thing about your refusal. If you accept it, you get to do a thing. Every &#8220;I refused an unpaid gig&#8221; story is the same. Every thing is different.<\/p>\n<p>Leaving twitter is an adult thing to do. It&#8217;s about dissolving into the internet, not clogging it with jokes. Time to take the flow more seriously.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Reading &#8220;In the Flow&#8221; by Boris Groys. We bought the e-book with a group and there are so plans to write a critique of it in some online magazine. The text Kylm\u00e4l\u00e4, Salusj\u00e4rvi &amp; Ylikangas recently published feels nagging in relation to Groys, who celebrates the event fullness of the contemporary museum. I don&#8217;t agree &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/eero.storijapan.net\/docfolio\/20160326-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;20160326&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[13,14,15,16],"class_list":["post-65","post","type-post","status-publish","format-standard","hentry","category-log","tag-aleksis-salusjarvi","tag-boris-groys","tag-maaria-ylikangas","tag-pietari-kylmala"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/65","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=65"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/65\/revisions"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=65"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/categories?post=65"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/tags?post=65"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}