{"id":668,"date":"2016-09-17T11:36:20","date_gmt":"2016-09-17T08:36:20","guid":{"rendered":"http:\/\/eero.storijapan.net\/log\/?p=668"},"modified":"2016-09-17T11:36:20","modified_gmt":"2016-09-17T08:36:20","slug":"20160917-2","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/20160917-2\/","title":{"rendered":"20160917"},"content":{"rendered":"<p>An inspirational and revealing article about sexbots, how they serve as propaganda for patriarchal power norms and what kind of labor relations they advocate. &#8220;<a href=\"http:\/\/reallifemag.com\/botline-bling\/\">Botline bling<\/a>&#8221; by Angel Archer. She also has a other leftist\/sex analytical texts online.<\/p>\n<p>&#8220;The Turkish artist Tayfun Serttas has even argued that there is no cultural heritage, only political heritage created by regimes whose goal is to consolidate and perpetuate their own power.&#8221;. An article on &#8220;<a href=\"https:\/\/placesjournal.org\/article\/experimental-preservation\/\">Experimental Preservation<\/a>&#8221; by Jorge Otero-Pailos &amp; Lars M\u00fcller explains that without objects there&nbsp;is no field of cultural production. It also reveals a connection between Christian ethics and western conservation guidelines. &#8220;Transitional objects&#8221; are explained well towards the end and Pierre Bourdieu brought to play: &#8220;Bourdieu showed how theaters and museums help their patrons assert class differences and exert power in the larger social field&#8221;.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>An inspirational and revealing article about sexbots, how they serve as propaganda for patriarchal power norms and what kind of labor relations they advocate. &#8220;Botline bling&#8221; by Angel Archer. She also has a other leftist\/sex analytical texts online. &#8220;The Turkish artist Tayfun Serttas has even argued that there is no cultural heritage, only political heritage &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/eero.storijapan.net\/docfolio\/20160917-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;20160917&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[139,140,107,141,142],"class_list":["post-668","post","type-post","status-publish","format-standard","hentry","category-log","tag-angel-archer","tag-lars-muller","tag-new-material-intercource","tag-otero-pailos","tag-tayfun-serttas"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/668","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=668"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/668\/revisions"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=668"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/categories?post=668"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/tags?post=668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}