{"id":679,"date":"2016-09-21T17:28:05","date_gmt":"2016-09-21T14:28:05","guid":{"rendered":"http:\/\/eero.storijapan.net\/log\/?p=679"},"modified":"2016-09-21T17:28:05","modified_gmt":"2016-09-21T14:28:05","slug":"20160921-2","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/20160921-2\/","title":{"rendered":"20160921"},"content":{"rendered":"<p>&#8220;\u2026criticisms are simply outdated methods of managing risk&#8221;. Writes Stefan Heidenreich. The two part text (<a href=\"http:\/\/www.e-flux.com\/journal\/71\/60521\/freeportism-as-style-and-ideology-post-internet-and-speculative-realism-part-i\/\">1<\/a>&amp;<a href=\"http:\/\/www.e-flux.com\/journal\/73\/60471\/freeportism-as-style-and-ideology-post-internet-and-speculative-realism-part-ii\/\">2<\/a>) on e-flux offers a critical introduction to post-internet art and an insightful analysis on how Speculative Realisms is linked to contemporary\u00a0art markets. The text also looks at\u00a0how the role of museums has\u00a0changed: In the past they served\u00a0like central banks which grounded and stabilized the value artworks. Today\u00a0freeports serve\u00a0as deposits for art investments. The value is more stable when no-one sees it!<\/p>\n<p>&#8220;Freeportism as Style and Ideology: Post-Internet and Speculative Realism&#8221; offers a great point of departure for analysing the upcoming <a href=\"http:\/\/m.kauppalehti.fi\/uutiset\/kiasma-panostaa-digitaalisuuteen-ja-levittaytyy-verkkoon\/eVmX9Z4M\">Kiasma Ars17<\/a>\u00a0events.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;\u2026criticisms are simply outdated methods of managing risk&#8221;. Writes Stefan Heidenreich. The two part text (1&amp;2) on e-flux offers a critical introduction to post-internet art and an insightful analysis on how Speculative Realisms is linked to contemporary\u00a0art markets. The text also looks at\u00a0how the role of museums has\u00a0changed: In the past they served\u00a0like central banks &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/eero.storijapan.net\/docfolio\/20160921-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;20160921&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[144,145],"class_list":["post-679","post","type-post","status-publish","format-standard","hentry","category-log","tag-kiasma","tag-stefan-heidenreich"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/679","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=679"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/679\/revisions"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=679"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/categories?post=679"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/tags?post=679"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}