{"id":6848,"date":"2019-09-20T03:15:15","date_gmt":"2019-09-20T00:15:15","guid":{"rendered":"https:\/\/eero.storijapan.net\/docfolio\/?p=6848"},"modified":"2021-03-26T15:54:43","modified_gmt":"2021-03-26T13:54:43","slug":"20190920-2","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/20190920-2\/","title":{"rendered":"20190920"},"content":{"rendered":"<p>Last days on the train were dense. I managed to carve a daily routine of writing, practicing and eating on regular intervals to keep time moving. There was a drunken group of army boys on board last night or the night before. Slumber kept us awake and made the cabin feel like a closet. Felt that we were kids hiding from domestic abuse. Chats with group members have been sincere. We&#8217;ve gone trough family histories, some personal fears and analyzed our experiences of the trip openly. Being open about an ongoing experience is laborious.<\/p>\n<p>I listened trough <em>Pattern Recognition<\/em> (2003) and <em>Neuromancer<\/em> (1984) by William Gibson. The first started intensely but lost its trail midway, the second was a neu-romantic macho fantasy and I enjoyed it. Now I&#8217;m boring trough <em>Mountain of Madness<\/em> (1936) Lovecraft.<\/p>\n<p>By observing scenery from the train window I learned that the Finnish narrative that Mansard-roofs are rooted on French attic regulations and designs is a bluff. Vladivostok looks nice but with all honestly every city we&#8217;ve passed looks like somewhere in Russia. There are a lot of tourists, mainly form Korea I think and people look young and fresh.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Last days on the train were dense. I managed to carve a daily routine of writing, practicing and eating on regular intervals to keep time moving. There was a drunken group of army boys on board last night or the night before. Slumber kept us awake and made the cabin feel like a closet. Felt &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/eero.storijapan.net\/docfolio\/20190920-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;20190920&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[789,1600,1994],"class_list":["post-6848","post","type-post","status-publish","format-standard","hentry","category-log","tag-howard-phillips-lovecraft","tag-in-various-stages-of-ruins","tag-william-gibson"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/6848","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=6848"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/6848\/revisions"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=6848"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/categories?post=6848"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/tags?post=6848"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}