{"id":7396,"date":"2020-02-24T09:07:31","date_gmt":"2020-02-24T07:07:31","guid":{"rendered":"https:\/\/eero.storijapan.net\/docfolio\/?p=7396"},"modified":"2020-02-28T10:06:29","modified_gmt":"2020-02-28T08:06:29","slug":"20200224-2","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/20200224-2\/","title":{"rendered":"20200224"},"content":{"rendered":"<p>Wonderful media-and-meta-archeology project: <a href=\"https:\/\/www.youtube.com\/watch?v=MPOYHQTMnf8\">Fossil Data Part 1: Paleontologic Data Fossilized on IBM 8\u201d Floppies<\/a> and <a href=\"https:\/\/youtu.be\/5FVwheTVWko\">Fossil Data Part 2: 8-Inch IBM Floppy Data Recovery<\/a> by CuriousMarc. A group of scientist and archivists restore archeological data from old floppies.<\/p>\n<p>Swapped my Volka Keys to a KP3 and my QuNexus to a Keystep. Hardware synths are a more sustainable hobby then people give it credit for. After a certain base gear limit is breached the gearstock evolves to a library of sorts. The trading arrangements are unfortunately educating me to not-to-modify gear (no stickers, no mods,  no weird knobs). This goes against what I think owning is: A process of mending modifying and living with stuff. In the synth trading game stuff is meant to look like it has never been touched. People even mention this as a value factor: No rackrash. What is that about? Surely if a reality which is not used it means its a crappy reality.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wonderful media-and-meta-archeology project: Fossil Data Part 1: Paleontologic Data Fossilized on IBM 8\u201d Floppies and Fossil Data Part 2: 8-Inch IBM Floppy Data Recovery by CuriousMarc. A group of scientist and archivists restore archeological data from old floppies. Swapped my Volka Keys to a KP3 and my QuNexus to a Keystep. Hardware synths are a &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/eero.storijapan.net\/docfolio\/20200224-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;20200224&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[1755],"class_list":["post-7396","post","type-post","status-publish","format-standard","hentry","category-log","tag-curiousmarc"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/7396","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=7396"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/7396\/revisions"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=7396"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/categories?post=7396"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/tags?post=7396"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}