{"id":7723,"date":"2020-07-15T12:07:47","date_gmt":"2020-07-15T09:07:47","guid":{"rendered":"https:\/\/eero.storijapan.net\/docfolio\/?p=7723"},"modified":"2020-07-15T23:14:57","modified_gmt":"2020-07-15T20:14:57","slug":"20200715-2","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/20200715-2\/","title":{"rendered":"20200715"},"content":{"rendered":"<p><a href=\"https:\/\/www.counterpunch.org\/2014\/06\/24\/nyc-horse-carriages-vs-carriage-horses\/print\/\">NYC Horse Carriages vs. Carriage Horses<\/a> (2014) Jason Hribal. A short and acute response to Liam Neeson&#8217;s speech, which he made to support the &#8220;Save NYC Horse Carriages&#8221; campaign. Approaching horses primarily as members of the working class, Hribal argues that they should be seen as an unpaid and exploited labor force, which is forced to serve capital. A detail of our relationship with animals he address is that animals are working also when they are made into glue. Historically, working horses have seldom been seen as companions. I agree but remain optimistic that currently we have a good chance in developing horse-human working relationships which are founded on companionship.<\/p>\n<blockquote><p>The [horse cart] drivers were middle management and their job was to get the horses to work harder, longer, and faster. In fact, the drivers\u2019 wages were dependent upon this arrangement.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>NYC Horse Carriages vs. Carriage Horses (2014) Jason Hribal. A short and acute response to Liam Neeson&#8217;s speech, which he made to support the &#8220;Save NYC Horse Carriages&#8221; campaign. Approaching horses primarily as members of the working class, Hribal argues that they should be seen as an unpaid and exploited labor force, which is forced &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/eero.storijapan.net\/docfolio\/20200715-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;20200715&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[97,1802,20],"class_list":["post-7723","post","type-post","status-publish","format-standard","hentry","category-log","tag-jason-hribal","tag-liam-neeson","tag-trans-horse"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/7723","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=7723"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/7723\/revisions"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=7723"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/categories?post=7723"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/tags?post=7723"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}