{"id":8070,"date":"2020-12-13T13:30:12","date_gmt":"2020-12-13T11:30:12","guid":{"rendered":"https:\/\/eero.storijapan.net\/docfolio\/?p=8070"},"modified":"2020-12-13T23:36:46","modified_gmt":"2020-12-13T21:36:46","slug":"20201213-2","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/20201213-2\/","title":{"rendered":"20201213"},"content":{"rendered":"<p>I remember being angry in 2012 because it felt like our performance with Hanna and Pietari, <a href=\"http:\/\/storijapan.net\/10huonetta\/\">The Heroes of Art<\/a> was not getting the traction it deserved. I talked about it to Jussi who calmed me down by asking: &#8220;Why do you care about museums so much? Don&#8217;t you have more important things to attend to?&#8221;. This made me aware that if I really wanted to renew&nbsp; institutions, the best response would be to work on and with, the ones which accept me as I am. I think he was urging me to invest more effort to Tehdas Ry. Jussi wasn&#8217;t calling for me to &#8220;cancel&#8221; museums, just to ignore them. This made me a healthier artist.<\/p>\n<p>I was reminded of this when reading <a href=\"https:\/\/news.artnet.com\/opinion\/philip-guston-now-cancellation-1914529\">The Strongest Reactions to the Philip Guston Show\u2019s Postponement Miss Two Key Points. Here\u2019s What They Are\u2014and Why They Matter<\/a> (2020) by Ben Davis. He identifies two phenomenons which hinder museums capacity to respond: &#8220;Context Collapse&#8221; meaning that the &#8220;professional art discourse don\u2019t center the &#8216;cultural conversation&#8217; anymore; the trending social media conversation clearly dominates. &#8221; which leads to the &#8220;original intention&#8221; of an exhibition to be is &#8220;easily overwritten.&#8221; The other hindrance he identifies is &#8220;Paranoid Reading&#8221; a style of &#8220;interpretation in which, no matter the object at hand, the exposure of its secret negative side would recur as the main point of interpretation.&#8221; The term is credited to <a href=\"https:\/\/helda.helsinki.fi\/handle\/10224\/3628\">Paranoid Reading and Reparative Reading <\/a>(1997) Eve Kosofsky Sedgwick.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I remember being angry in 2012 because it felt like our performance with Hanna and Pietari, The Heroes of Art was not getting the traction it deserved. I talked about it to Jussi who calmed me down by asking: &#8220;Why do you care about museums so much? Don&#8217;t you have more important things to attend &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/eero.storijapan.net\/docfolio\/20201213-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;20201213&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[1946,1947,432,544,16,681],"class_list":["post-8070","post","type-post","status-publish","format-standard","hentry","category-log","tag-ben-davis","tag-eve-kosofsky-sedgwick","tag-henna-tanskanen","tag-jussi-matilainen","tag-pietari-kylmala","tag-t-e-h-d-a-s-ry"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/8070","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=8070"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/8070\/revisions"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=8070"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/categories?post=8070"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/tags?post=8070"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}