{"id":832,"date":"2016-10-25T11:24:26","date_gmt":"2016-10-25T08:24:26","guid":{"rendered":"http:\/\/eero.storijapan.net\/log\/?p=832"},"modified":"2019-10-30T16:50:22","modified_gmt":"2019-10-30T14:50:22","slug":"20161025-2","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/20161025-2\/","title":{"rendered":"20161025"},"content":{"rendered":"

Alex Schweder discusses\u00a0“Performance Architecture<\/a>” (.pdf).<\/p>\n

In 2009, after a decade in the gallery, I began Its Form Will Follow Your Performance at Magnus Muller Berlin, a project that used the gallery as a point of departure but extended into the homes of ordinary Berliners. As a way of starting a renovation, I would meet interested parties at a desk in the gallery. Here, we talked about their apartment for about an hour. [\u2026] Our session would conclude with us agreeing on a new way that they would perform their house. This could be as simple as moving a plant into the hall during winter and not bringing it back in or sitting on the roof thinking about potential.<\/p><\/blockquote>\n

He\u00a0cites Trisha Browns work. \u00a0I found her dances on youtube and liked\u00a0Accumulation<\/a> (1971).\u00a0Watermotor<\/a> (1978) is boring but the slow motion effect is inspirational. Schweder presents one of the\u00a0structures he’s\u00a0made with\u00a0Ward Shelly on a video<\/a>.<\/p>\n

Also found the movie on Conical Intersect<\/a> (1975) by\u00a0Gordon Matta-Clark.<\/p>\n","protected":false},"excerpt":{"rendered":"

Alex Schweder discusses\u00a0“Performance Architecture” (.pdf). In 2009, after a decade in the gallery, I began Its Form Will Follow Your Performance at Magnus Muller Berlin, a project that used the gallery as a point of departure but extended into the homes of ordinary Berliners. As a way of starting a renovation, I would meet interested … <\/p>\n

Continue reading “20161025”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[191,192,193,190,194,195],"class_list":["post-832","post","type-post","status-publish","format-standard","hentry","category-log","tag-alex-schweder","tag-gordon-matta-clark","tag-magnus-muller","tag-the-cruel-radiance-of-what-is","tag-trisha-brown","tag-ward-shelly"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/832","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=832"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/832\/revisions"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=832"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/categories?post=832"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/tags?post=832"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}