{"id":8528,"date":"2021-04-12T09:49:49","date_gmt":"2021-04-12T06:49:49","guid":{"rendered":"https:\/\/eero.storijapan.net\/docfolio\/?p=8528"},"modified":"2021-04-13T11:33:55","modified_gmt":"2021-04-13T08:33:55","slug":"20210412-2","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/20210412-2\/","title":{"rendered":"20210412"},"content":{"rendered":"<p>Still on <a href=\"https:\/\/morleyradio.co.uk\/series\/the-strangeness-of-dub\/\">The Strangeness of Dub<\/a> series (2019) Edward George. Learning about King Tubby is great but I&#8217;m experiencing the bridges George builds between jazz, electonic avantgarde and dub to be wider then necessary (in episode <a href=\"https:\/\/morleyradio.co.uk\/programmes\/the-strangeness-of-dub-ep6\/\">Distance II<\/a>). It&#8217;s pleasant to learn about dub as a mythical story with genius figures, innovations and tragic artist fates but I think this approach is cutting corners. Not everything needs to make sense (fit a narrative) and valorizing charismatic but conflicted artists causes an unnecessary emotional offset.<\/p>\n<p>Inadvertently I&#8217;m listening to more John Cage and Karlheinz Stockhauser trough this source then ever before! George has arranged a very clever and rich selection of music. I particularly enjoyed listening to long and noisy bootleg recordings from the 70ties (in <a href=\"https:\/\/morleyradio.co.uk\/programmes\/the-strangeness-of-dub-ep4\/\">Distance I<\/a>). The tapes make for a media archeological exploration of King Tubby\u2019s Hometown HIFI in Kingston, Jamaica 1975. The system in the recording was build and operated by King Tubby &amp; U Roy and approaching it trough a flat, gritty tape feels fresh (like exploring the alleyways of an ancient city with a flimsy torch).<\/p>\n<p>And I must add that the wide bridge George builds between King Tubby and Stockhauser as media-deconstructivists who are piecing together a future sound, which operates in a different realm them the past mass-media of past dictators, feels great. The artists were working to hear the sublime by using their sound systems\/band filters as navigational instruments! I&#8217;ve been inspired to work with dub in my studio recently. I also fondly ponder if our <a href=\"http:\/\/www.mikseri.net\/artists\/masku-movement\/saxophone-kaosspad-solo\/194567\/\">Kaosspad work in Masku Movement<\/a> qualifies as such, or particularly this <a href=\"http:\/\/www.mikseri.net\/artists\/masku-movement\/head-boiled-hard\/237959\/\">Hard Boiled<\/a> track from 2006. Also bought a used Ginko Synthese Sampleslicer MkII to specifically experiment with dub styles and techniques.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Still on The Strangeness of Dub series (2019) Edward George. Learning about King Tubby is great but I&#8217;m experiencing the bridges George builds between jazz, electonic avantgarde and dub to be wider then necessary (in episode Distance II). It&#8217;s pleasant to learn about dub as a mythical story with genius figures, innovations and tragic artist &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/eero.storijapan.net\/docfolio\/20210412-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;20210412&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[1934,1541,607,2002,2003,1726,2004],"class_list":["post-8528","post","type-post","status-publish","format-standard","hentry","category-log","tag-edward-george","tag-ginko-synthese","tag-john-cage","tag-karlheinz-stockhause","tag-king-tubby","tag-masku-movement","tag-u-roy"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/8528","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=8528"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/8528\/revisions"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=8528"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/categories?post=8528"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/tags?post=8528"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}