{"id":8630,"date":"2021-05-19T18:13:52","date_gmt":"2021-05-19T15:13:52","guid":{"rendered":"https:\/\/eero.storijapan.net\/docfolio\/?p=8630"},"modified":"2021-05-20T09:09:32","modified_gmt":"2021-05-20T06:09:32","slug":"20210519-2","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/20210519-2\/","title":{"rendered":"20210519"},"content":{"rendered":"<p><a href=\"https:\/\/www.taike.fi\/fi\/uutinen\/-\/news\/1368327\">Taiteilijana yhteiskunnassa &#8211; Kuution j\u00e4lkeen, osa 6<\/a> [In the Society as an Artist \u2013 Post-Cube, part 6] discussing art practices in public spaces, artist-as-gig-workers and labour unions with Maija Kasvinen &amp; Kaino Wennerstrand in a <a href=\"https:\/\/www.taike.fi\/\">Taike<\/a> podcast. I confessed that my mother forged recommendation letters for my high-school application.<\/p>\n<p>Assembled a Befaco Instrument Interface i4. Mixed the R16 \u2013 820 Ohm 1% and R115 \u2013 820k 1% resistors. Figuring out the issue behind the problems was difficult (VU meter didn&#8217;t work and Envelope Follower didn&#8217;t trigger). The tight component placement made the swapping the resistors hard but I made it.<\/p>\n<p>Reading manuals every night. Currently following casual M8 related chats on discord and watching three hour long M8 get-togethers.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Taiteilijana yhteiskunnassa &#8211; Kuution j\u00e4lkeen, osa 6 [In the Society as an Artist \u2013 Post-Cube, part 6] discussing art practices in public spaces, artist-as-gig-workers and labour unions with Maija Kasvinen &amp; Kaino Wennerstrand in a Taike podcast. I confessed that my mother forged recommendation letters for my high-school application. Assembled a Befaco Instrument Interface i4. &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/eero.storijapan.net\/docfolio\/20210519-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;20210519&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[1542,2013,2020,354],"class_list":["post-8630","post","type-post","status-publish","format-standard","hentry","category-log","tag-befaco","tag-dirtywave","tag-maija-kasvinen","tag-mia-wennerstrand"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/8630","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=8630"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/8630\/revisions"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=8630"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/categories?post=8630"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/tags?post=8630"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}