{"id":9152,"date":"2022-04-08T12:39:22","date_gmt":"2022-04-08T09:39:22","guid":{"rendered":"https:\/\/eero.storijapan.net\/docfolio\/?p=9152"},"modified":"2022-05-09T12:41:26","modified_gmt":"2022-05-09T09:41:26","slug":"20220408-2","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/20220408-2\/","title":{"rendered":"20220408"},"content":{"rendered":"<p>The difference between performance art and live-art is class. Live-art is favoured by artists from or aspiring to middle-classes and performance art is for the poor. Performance art is customer service, job hunting, busking and haggling. Live-art is choreography, dialogue and contracts.<\/p>\n<p>I&#8217;m still scorned by COVID period setbacks, the impact of restrictions and control measures. Trying to read but I can&#8217;t do much work. The peak of the pandemic toggled my sense of agency and Russia&#8217;s attack to Ukraine is continuing the same. I feel irrelevant and detached.<\/p>\n<p>Still awaiting a pcb shipment for the Arradio revision.<\/p>\n<p>Clap in many synths Ive listened to is not a clap it is a tap as from the dance. I think many of my favourite claps would be better defined as taps. They have a woody element and a double tap is often used for emitting a sense of space. Doing double taps is easier then double claps.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The difference between performance art and live-art is class. Live-art is favoured by artists from or aspiring to middle-classes and performance art is for the poor. Performance art is customer service, job hunting, busking and haggling. Live-art is choreography, dialogue and contracts. I&#8217;m still scorned by COVID period setbacks, the impact of restrictions and control &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/eero.storijapan.net\/docfolio\/20220408-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;20220408&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[2099,1588],"class_list":["post-9152","post","type-post","status-publish","format-standard","hentry","category-log","tag-arradio","tag-art-writing"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/9152","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=9152"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/9152\/revisions"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=9152"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/categories?post=9152"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/tags?post=9152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}