{"id":9327,"date":"2022-07-17T15:41:37","date_gmt":"2022-07-17T12:41:37","guid":{"rendered":"https:\/\/eero.storijapan.net\/docfolio\/?p=9327"},"modified":"2022-07-18T10:21:50","modified_gmt":"2022-07-18T07:21:50","slug":"20220717-2","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/20220717-2\/","title":{"rendered":"20220717"},"content":{"rendered":"<p><a href=\"https:\/\/www.e-flux.com\/architecture\/coloniality-infrastructure\/410015\/the-earthly-community\">The Earthly Communit<\/a>y (2021) Achille Mbembe. I think they are framing war as a conservative project and I agree: Its an old mans game, manifestin desires of a past world. Russia started the war to prohibit change and to restore the cold war era patriarchal power dynamics.<\/p>\n<blockquote><p>This double moment coincides with the rise of heavily-armed, paranoid powers that claim to abolish risks and minimize uncertainty and indeterminacy by protecting their people from all contingencies and dangers. They propose a mode of existence dominated by fear, anxiety, and a search for safety and repose. In reality, what is hidden behind this quest for a stable life is the refusal of a world in motion and the determination to preserve life, to stay alive, and to be biologically safe at any price. The body that these powers seek to manufacture is a body haunted by the ever-imminent possibility of being no more. One of the properties of such a body is to refuse its approaching death and to permanently disavow its precarity and its essential fragility.<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Earthly Community (2021) Achille Mbembe. I think they are framing war as a conservative project and I agree: Its an old mans game, manifestin desires of a past world. Russia started the war to prohibit change and to restore the cold war era patriarchal power dynamics. This double moment coincides with the rise of &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/eero.storijapan.net\/docfolio\/20220717-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;20220717&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[622],"class_list":["post-9327","post","type-post","status-publish","format-standard","hentry","category-log","tag-achille-mbembe"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/9327","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=9327"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/9327\/revisions"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=9327"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/categories?post=9327"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/tags?post=9327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}