{"id":996,"date":"2016-12-02T10:00:35","date_gmt":"2016-12-02T08:00:35","guid":{"rendered":"http:\/\/eero.storijapan.net\/log\/?p=996"},"modified":"2018-03-29T16:31:58","modified_gmt":"2018-03-29T13:31:58","slug":"20161202-2","status":"publish","type":"post","link":"https:\/\/eero.storijapan.net\/docfolio\/20161202-2\/","title":{"rendered":"20161202"},"content":{"rendered":"<p><a href=\"https:\/\/soundcloud.com\/ldezem\/sets\/sound-of-work-blacksmith-collection\">First test of &#8220;Sound of Work: Blacksmith vol 1&#8221;<\/a> sample-pack and sound archive detailing the acoustic work environments of blacksmiths. Played live using simple Notation Circuit groovebox and tweaked using Kaoss Pad.&nbsp;Went for reggae, so that smokers get work.&nbsp;<\/p>\n<p>Visiting Samir Bhowmils&nbsp;<a href=\"http:\/\/www.aalto.fi\/en\/current\/events\/2016-10-19-002\/\">dissertation<\/a>: &#8220;Deep time of the Museum &#8211; The materiality of Media Infrastructures&#8221;. In short he claiming that the museum is a technological black-box, filled with smaller proprietary driven technological black-boxes (info screens, archival systems etc.): &#8220;Museum is a mediating device&#8221;. He argues that the specialisation required to maintain and advance these museum\/medias is dependent on proprietary technologies, outsourced specialists and economically unethical waste management systems. I think he&#8217;s using ecology as a leaver to question the ethics of museums &#8211; Black-box specialisation is unethical, in lines of all poststructural trails of though.&nbsp;<\/p>\n<p>But I wonder&#8230; What is the difference between a painting (a black-box made from eco-harmful materials that becomes understandable only through a specific cultural reading) and a computer displaying texts (a black-box made from equally harmful materials which depended on temporary techno-sphere). Both artifacts require specialist. I&#8217;d argue that the computer is the lesser evil as it can be used (hacked) for some other use. A painting can be used to build a fire, but it is really poor source for energy. Samir also discusses Critical Making in the book and made a good critical argument about&nbsp;<a href=\"https:\/\/m.flickr.com\/#\/photos\/kiasmamuseum\/\">recent open source data-dumps<\/a>&nbsp;executed by our national museums. He asks for openness in regards of community involvements instead of data. Openness will challenge the institutions, open source data-dumps only succeed in making the institutions appear foggy and formless.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>First test of &#8220;Sound of Work: Blacksmith vol 1&#8221; sample-pack and sound archive detailing the acoustic work environments of blacksmiths. Played live using simple Notation Circuit groovebox and tweaked using Kaoss Pad.&nbsp;Went for reggae, so that smokers get work.&nbsp; Visiting Samir Bhowmils&nbsp;dissertation: &#8220;Deep time of the Museum &#8211; The materiality of Media Infrastructures&#8221;. In short &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/eero.storijapan.net\/docfolio\/20161202-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;20161202&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[236,240,28,219],"class_list":["post-996","post","type-post","status-publish","format-standard","hentry","category-log","tag-critical-making","tag-samir-bhowmik","tag-sampler","tag-sound-of-work-blacksmith"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/996","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/comments?post=996"}],"version-history":[{"count":0,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/posts\/996\/revisions"}],"wp:attachment":[{"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/media?parent=996"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/categories?post=996"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eero.storijapan.net\/docfolio\/wp-json\/wp\/v2\/tags?post=996"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}