EU will be made by immigrants who are not spoiled by nostalgic fantasies about the cities they live in.
20170921
Hans Ulrich Obrist on Why We Need Artists in Politics (2017)
Bruguera’s candidacy is both a culmination of her life’s work as an artist, and a perhaps unintentional homage to the ambitions of the APG, which positioned the artist as an Incidental Person within existing social and political structures to effect change. Tania is among those artists applying the lessons taught by artists such as John Latham to the present moment.
My year inside the international alt-right (2017) by Patrik Hermansson
Jeffrey, one of their leaders, says that they’ve put the limit at 1/8th, meaning that you cannot have more than one-eighth “non-white blood” to be considered for membership and even claim that they require recruits to take a DNA test to prove it.
20170918
20170917
Historical body mechanics: Walk medieval (2017)
Helped my mother by washing her windows. Walked home feeling angry. In my anger I walked into a music instrument shop and bought a Zoom 70cdr. Spend the night dwelling in shimmering soundscapes. Found a utility to toggle the presets over midi zoom-ms-utility.
20170915
Co-hosted a talk-shop at the Lauttasaari library on Thursday with Leena Kela and Heini Aho (Neighborizome crew). The event investigated the processes of “Forgetting & Decaying” in relation to an upcoming public artwork “The Garden of Decay”(?) by Maria Teeri and Janne Nabb. The piece will installed at the Lauttasaari Mansion which Kone foundation will launch as a residency/office/community/art space (Expected to open summer 2018).
Neurologist and emeritus professor of geriatrics Raimo Sulkava saved the event by giving a relaxed and easygoing description on how memories are formed (through repetition). We discussed bronze statues in our cities as cultural memories, which Sulkava replied to by presenting “The Garden of Decay” as a positive response: The shape of the artwork is constantly changing and it’s rotting away but it can still be considered valuable and artistic – Such as we should approach the elderly.
Visited HAM yesterday for the Eero Nelimarkka exhibition opening. The house was full of people! There were some distant relatives present too but I felt too lazy to introduce myself. The exhibition was boring and the catalogue texts celebrated Nelimarkka as a genius. Some statements were fatally incorrect: “Nelimarkka was a chauvinist, which was normal in his time”. He was definitely a chauvinist but there has never been anything “normal” about it. The text was written by Riitta Nelimarkka.
Two critiques on the exhibition Helsingin Sanomat and Yle – Kulttuuri.