List of my interests:
- Caverns
- Avalanche Run
- Snake bite
- Hall of Fame & Flashback 2
- Dark Star
- Zoom 70cdr
- Digitech Polara
Weaponized Sacredness (2015)
Sarah Perry.
20170824
Highs_&_Lows_ses1.wav (Freesound.org).
On the 30th of August, 2006, at Caixaforum ( Barcelona ), Freesound organized a multitudinous (more than 300 people) performance and sound recording called “La audiencia disponible”. This sound is one of those recorded that day.
20170822
Peter Blasser makes nice synths, some of which are “psychogeographic maps” showing the relationship between the urban, suburban and wilderness. He calls himself Petroleum Bottle because we are just bottles of oil and he is irritated that his wooden synth parts have been cut with a chainsaw. Blasser’s synths were recommended by Mikko.
20270821
Visiting Turku in preparation of the WAMbience/NPTurku Teknomuskari gig. Paid my respect at the site where the stabbings took place.
20170820
Read a speech written by Päivi as “a man with a moustache which looks like the moustache of Kyösti Kallio” at the RaivioBumann (Raivio & Daniel Bumann) Hiljainen vieras / Silent Guest event. The performance was a part of Patsastellaan: Parties for Public Sculpture series organized by James Prevett (Taideyliopisto). The role of being just an actor/speaker felt nice.. I wasn’t as nervous as when I perform my own material.
Bought a Bastl Dude mixer for the upcoming Childrens Techno workshop (Teknomuskari) in Turku (NPTurku covers the expenses!). The mixer can also be used in Brussels next month. Made a website for our upcoming show wheredoyouwanttogofromhere.com. The Brussel gig is causing a lot of stress.. The recent attacks in Barcelona and Turku are adding to the mix. Working with horses is stressful, working with people is stressful and working in public spaces is stressful. To top it off, we are drafting strong arguments concerning the changing nature of public space (in relation to recent attacks) and framing climate change as a weaponized method of colonial dominance.
The booklist we’ve selected as our framework requires intensive learning. We are studying classics like Foucault, new material from Butler, new materialism/anthropocene inspired texts, the history of horses in European cities, re-reading Hribal and Eyal Weizman’s theories concerning the Arab Spring (The Roundabout Revolutions, Critical Spatial Practice 6, 2015). Majority of the text deal with infrastructure and how urban structures serve as authors of the modern self-regulating subjectivity. The texts (even the history of the horses) are centered around the concept of public assembly and examining how the concept of “the people” is build and used.
I guess part of the stress is caused by the indoctrination of these texts. Changing is stressful.. And I guess developing as an artist requires constant change.