20161107

Jesse was excited about the idea of making field and sample recording at his smithy. We’ll make a sample-pack of pre-industrial (aka. true-post-industrial) sounds. Our aim is to sample pneumatic tools, anvils&hammers, steel forging at various temperatures, grinders, welding machines, power hammers and other tools Jesse uses as a blacksmith. We’ll possibly use binaural mics for ambient sounds and I’ll use the Tascam dr-40 with an external Sony ECM-NV1 mic for mono (and the device mics for stereo) sounds. The recordings will be a bit noisy but I don’t mind.

The pack will be called “Ore.e Refineries – Pre-industrial Sample-pack” (or something) and launched trough our website. Samples will possibly be hosted at archive.org (as a .zip) and on freesound.org. The pack will offer creatives who serve the post-scarcity economy, laboring on intangible projects at silent office sites and generic cafeterias an opportunity to manifest their moods and express their desires making music from sounds of pre-industrial labor, tools and technology.

I’ll also make an edition of 64 samples (totalling 60s of audio) which I can use with my Novation Circuit. The device received an update (v. 1.4) which makes it possible to make polyrhythmic sample patterns. Youtube user loopop also shared a way to play samples using chromatic etc. scales (using custom pattern templates) which offers fun possibilities. I’m still conflicted whether to expand my newfound interest in sounds towards analogue synths (in an effort to seek out new tones) or if I should focus on working more with samples and recordings (in an effort to understand and possibly deconstruct contemporary soundscapes).

Minimal-Modular (Like Erica synth Pico line) vs. Roland SX 404sx.

20161103

Visited Kankaanpää Art School were I’ll work as a mentor for a group of five graduating fine art students. Some are drawn to live-arts and others are interested in the performativity of objects and spaces (artworks). They’ll exhibit their graduation pieces at the Seinäjoki Art Hall. This is the first time I’ll be working as a graduate menton and I’m exited about the opportunity. 

The downside is that I’ve been sitting in busses and cars for 15 hours to mentor students for four hours! This is what it takes to build culture and develop performing arts in Finland. The buss ride from Helsinki to Kpää took seven hours. After the student sessions I got a ride to Tampere from Jarno Vesala, who is working as a mentor for an other student group (the mentor team also includes Petri Alamaunus and Hanna Oinonen). On the ride we exchanged notes on how to build media awareness in our children and the sincerity of vblogging. From there I continued by buss towards Helsinki. On route I met Outi Yli-Viikari and Jaakko Pimperi. We chatted all the way. The trip was fun.

Catching up on OG Maco

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Visited an exhibition after-party at the Ingredients-space over the weekend. The event was a celebration of Irina Korina’s work (On display at Alkovi) and hosted by Arttu Merimaa & Miina Hujala. Saw Paula and had a pleasant chat with Arash Moori a sound artist who is working at HIAP. We exchanged notes on the experience of playing music live and how sometimes one can get the feeling that there is something (or someone) extra inside the sound.

Today I participated “Kollab talkshop on local activism” event at M-Cult. Riikka Kuoppala & Thomas Martin presented their Maunula-movie project, Mikko Lipiäinen gave a short overview of the Transformative Pulp project (which I’m a big fan of) and Emilia Palonen talked about local democracy developments in relation to the Maunula-house.

Made videos for the upcoming performativity lecture: