What is ecofeminism, and why is it necessary in the fight for climate justice? (2022) Julie Gorecki. A well spirited discussion with Inês Telles, Joana Bregolat, Andreia Galvao, Alice Vale de Gato and Sara Bourehiyi investigating the possibility of an ecosocialist system change. The discussion explores how ecofeminism could serve as a framework, for developing alliances among careworkers and other precarious labor forces. An effort to develop unity among emerging members of an ecosocialist ecofeminism working-class. Motivating and fun to listen to. Also works a nice recap to what metabolic work and ecofeminism are.
Arradio exploration is progressing steadily. The ak-modul-bus.de Steckmodul mit TDA7088 works as a drop in replacement for the obsolete Conrad/Arradio tda7088 submodule. The coils which the chip needs (78nH & 70nH or 70nH & 70nH, depending on source) are build into the pcb of the new submodule, the tuning feels more accurate and the reception is better (I can even listen to radio in my air raid shelter of a studio). The current Arradio uses 100k pots for tuning but with the new submodule all the FM channels are present in a smaller region (perhaps a 50k resistor would suffice).
Feeling frustrated with the sonics of the FM domain. Using commercial channels for exploration is proving a challenge and most likely a reason why there aren’t that may FM modules out there. I’m using an Ampmix to supply steady voltages to the I/Os of my sequential switch Paths, which is swapping channels. The steady voltages work like a memory and the tuning is fast and accurate. There are occasional glitches (perhaps some slew is needed for ease). I can change the channels rhythmically but the splinters of songs and droplets of radio host chatter, are so figurative that they steer the listening. The manner which channel swapping has been portrayed in popular media, is effecting the experience. I feel like a kid, playing a DJ on an old radio. Arradio feels like a performance of old school media critique, a sonic collage which opposes the commercialisation of mass media. The sonics I’ve managed to produce so far have been dogmatically locked to this reading.
The sequential switch supports audio rate switching and with it I can listen to two or more channels at once. Switching the channels sounds clean and works so fast that I can follow what’s on different channels at once (depending on the rhythm of what ever is playing). The setup works like a flanger and I’m flangering two or more audio streams together (decoding them in the brain and I guess with this setup I could assess the speed my brains can decode). I tested a low pass gate (Apature) to shape the FM audio bursts. This works when the envelope is very fast but the more abstracted the sounds are, the more irrelevant it feels to work with an actual radio. There are periodic sweet spots when different channels mix together but the majority of the experience causes frustrations. The glimpses to different audio streams spark curiosity to what’s being played but any effort to follow a lyric or tone goes unrewarded. It’s teaching irrelevant listening (which is a skill regular commercial radio teaches better).
What I I’m enjoy listening listening to to jazz reads with like my this Arradio . .