Upholstered a Håg kneeling chair which I bought for cheep. Might have to replace the gas spring and wheels too but it works for now. Found a good supplier for strong plastic foam (LIMI P80) in Kerava and sourced leftover canvas from an upcycling bin. The foam is sturdy but soft, intended for upholstery of industrial machine seats. Felt weird to buy new plastic foam to this world but SURREAL SALAD (2020) by Heini Aho comforted me. Her video is perfect for coping with toxic-futures. I think I used too much glue. There is a faint intoxicating smell in the room I work but I’m using it for my benefit (working on grant-applications and preparing a teaching gig for Aalto).
Spotted a small clip about the expo2001∞ fanzine/exhibition by Daniel Kupferberg online. We contributed an angry Trans-Horse text to it. The zine-format is inspirational. We will be hopefully produce a zine during the upcomming Horse & Build Environment course too.
Dreaming of a Ginko Synthese Sampleslicer II. Their LFOv2 is a part of nearly every patch I make. Still experiencing inconsistencies with the Norns Orca ! cc outputs.
Pori Art Museum has published a report on the Creative Commons and Art seminar which I participated in with Kaino and Kalle Kuisma. My talk is recapped on pages 10-12 and I’m very pleased with my contribution. I claimed that “Artists do not contribute to the commons – They claim phenomenons from the commons” (artists taint phenomena and mark it as their own). I also claim that skills are production tool (for artists) and shed light on the ideological origins of Ore.e Refineries (and the COOL 1.0 license).
Working on our Ihme-days presentation with Heini and Leena, packing stuff in preparation of my New York visit, preparing next weeks Horse & Performance course with Pietari and writing a lecture/presentation for expo2001∞ (organised by Daniel Kupferberg) events at Kunstraum Argh15 (I’ll give “An Introduction to Horselogical thinking” over skype or wire). Aaand.. Learning how to make cheesecake.
Flashed Face Distortion Effect is interesting. Wonder if could be reversed: Images of faces would be distorted so that the faces that flash would appear normal.
I’ve been sick with flue for a week.
Felt better yesterday, worked together with Viivi Koljonen on a Grey Cube Gallery artist documentation we made in Italian during the spring. We made a raw cut together and now she’s working on the translations. On my way home I started feeling sick again on went to the supermarket to buy a treat. In my weak state I suddenly bought a a 16kg kettlebell. The kettlebell is a big surprise. It’s an incredible concentration of metal and cultural practices (My favorite move with it is The Turkish Get-Up).
I guess I’ll have to make an artwork out of it/with it. 2007 during my time in the Academy of Arts in Tallinn I felt guilty about buying coffee in take away cups daily. My friend Daniel Kupferberg urged me to “make art from the expendable cups so that the feeling would yield something productive”. This approach will serve well with the kettlebell.
Later surfed online and bought a Honu Cage v.2 camera cage (used for 86€). I can now replace my shaky and worn out Dörr stabilizer grip thingy.. It’s intended for shooting low-angle skateboarding glides and under the load my current system (Gh3/lens, Tascam dr-40, Røde VideoMic Pro, cheep wireless AudioTechnica units and a YongNuo YN-160 led lamp/battery) it wobbles in the wind. The Honu Cage v.2 will stabilize my kit and serve as a hub for a shoulder rig I plan to build.
Today I met with Arttu Merimaa, Miina Hujala and Mikko Kuorinki to plan our upcoming course “The Cruel Radiance of What Is” for Art School Maa. The educational collaboration had a shaky start last spring but this meeting restored my believe on the project.