20200428

Build a set of walky-talky eurorack modules which accept modular level signals trough their electret microphone inputs. To accomplish this I assembled a line level signal to microphone input adapter (following this guide: 20 dB PAD for line to electret microphone input) and included a 47k resistor before the 10uf capacitor. The walky-talky speaker output is routed to a tl071 based line level to eurorack level amplifier (I followed the TrAniModule line1-lineout design). The push-to-talk button is routed to a switch which is mounted on the panel. At first I powered the walky-talkies using 7805 chips (build heat sinks from salvaged aluminum) but they run quite hot so I replaced them with LM2596 buck converters. This also dropped the consumption from 200mA to around 80mA (~2mA on the negative rail) but this is dependent on the amount of signal amplification the units uses (which seems to be a automated process, based on some kind of feedback between the devices). The power supplies have reverse-polarity protection. I got the idea for building them from a youtube video.

The sound is interesting, like in megaphones but they are still unstable. One feature of the unstable behavior is that in some tests, some frequencies of sine waves would cause the unit to glitch and go silent. Once a different frequency is transmitted the connection is re-established. Very high frequencies cause a morphing glitchy interference space. The units distort sounds in interesting ways, almost like wave folders and I can also pass clock signals trough. Bass drum tones get removed but low frequency clicks pass. I think the glitches are a power-supply issue (my bench power-supply is very noisy), also there are a lot of loose wires and dodgy connections. I’ll rework the connections and set the rattling wires with hot glue, after I receive on-off-(on) switches (I’ll use them for the push-to-talk button). Also had the idea of adding voltage to control the push-to-talk button but it wouldn’t work as the devices make a loud beeb every time they establish a connection. When nothing is inserted to the input the microphone can be used.

The walky-talkies are Exibel FX-27’s, which we got from Kiasma and used with the xxx_group back in 2009. They have been collecting dust for 11 years! They have 8 channels and I’m currently using 446.00625MHz (the same as baby monitors, which I can now use as inputs for my modular!). I’ll have to wait until the libraries open to laser cut pretty faceplates for them and I also want to mount their antennas properly. Currently the PCBs are attached on a dodgy plywood sheets and the antennas are located in the back. They look like bombs. Sending wireless signals has been a longtime fascination. The last time I’ve worked with wireless audio of this type was in 2006 when we established Storijapan with Kristian (a layout of the our wireless setup is still on our server homepage). Transmitting signals from and in a eurorack system feels like a dream I had a long time ago.

20191121

Build a USB 5v output 1u and assembled a passive signal multiple. The USB 5v output is equipped with a 250mA fuse to prevent excessive power draw. The project taught me how to measure amperage and to work with fuses. The faceplate and interior structure, which supports the charger have been laser cut to measure. Damaged and destroyed my Mikrophonie contact mic build. Build RCA out/in sockets on the back of my main case which attach to my spring reverb and tank (which is mounted to the case). Laser cut 1u panels (lpg, piezo amp, attenuverter/offset) and delivered my first modular beat online (polyrhythmic slow beats trough a spring reverb sound like drumbient).

Preparing for the BIFI Studio exhibition with Johannes. Event info is online at the Oksasenkatu 11 site. Equipped both monstera leaf piezo mic units with balanced outputs and they work very well. The sounds are clean and the surfaces sensitive.

20191101

Added some old texts online. I really like “Fade in, Fade out”! I have no idea how it was received by the public back in the day but I hope someone will enjoy it now:

Continued with my Simple EQ* build and added it on modulargrid (the Tilt EQ channel is still giving me trouble). Also build a 12v to 9v transducer which has the same dimensions as a 9v battery and a 10pin ribbon cable connector so that I can power it from my eurorack. The first unit is a proof of concept and I’ll build a new one with a big heat sink. I’ll use it to mount 9v circuits to my rack.

A nice short documentary The Delian Mode (2009) by Kara Blake. It gives a good overview of Delia Derbyshires work at the BBC and her influence on electronic music. She remembers the sound of hoofs on cobbles, she heard as a child as an influence on her appetite for polyrhythmics and recalls that the noise of air raid sirens sparked her curiosity in electronic sounds. There is an archive of her work online, with entries like: The Delian Mode (1963).

20191025

Visited Monstera by Essi Kausalainen at Mad House. I liked the performance and particularly enjoyed a minimalistic stepping dance the performers executed towards the end of the show. It felt like a simplified version of cicapo or some other court dance. Perhaps something enjoyed by Carl Linnaeus in the ballrooms of his era. Linnaeus’ work in starting the modern system of naming organisms had inspired the performance and he was heavily present in a séance-like segment before the dance. In a talk before the show Kausalainen pondered if the act of naming a thing could be read as an attempt to show affection towards it. The step-dance also reminded me of compulsory or involuntary movements people perform when idling (while waiting for a bus etc). The dance informed me of a vegetative movement or motion, which is possibly intrinsic to all living things. The practice of the performers felt like an amplification of this auto-movement and when performed collectively by the group, it felt like a method of building solidarity trough the lowest common nominator (which for me is idling).

Etched and build a Bastl Skis Expander 1u and assembled a Lite2Sound PX unit by Rare Waves. I want to send audio across space using leds and laser beams. Tested it yesterday sending audio form my Disting Mk4 using a bipolar led thing I build and it works well. I’m looking for a red laser which I can use to draw on material surfaces, so that the Lite2Sound converts the shapes of the surface to sound (much like a vinyl needle). I want to hear textures. I used a fee from a wedding gig (manufactured mineral waters, read poetry and served as a bartender) to acquire a spring tank (Accutronics 9EB2C1B) and I’m making made a 1u expanded for the Spring Reverb mkII.

What does sending audio in a laser beam trough parkling water, spatialized by a spring reverb (which feedback agitates the water) sound like? What will the surface of a slab of wood sound like when played like a vinyl? Do grooves of bark sound what they feel like?