Submitted EU E OS MEUS / ME AND MINE (2018) to the NAFA (Nordic Anthropological Film Association ) festival.

Visited Millainen ilmastomenu? panel at the Parliament House, Helsinki. The event was organized by the Ilmastomenu group and the panel led by Pietari Kylmälä. Anna Kontula was the star of the event. Her arguments reminded me that questions about sustainable food production are not about our relationship with an abstract entity called nature – Sustainable food production is a series of practical decisions, trough which the rich decide who (on our limited planet) have the right to continue living.


ME AND MINE – An insight into the relationships between people and entities in Diadema, Brazil (2018) report / documentary is now complete! We looked it over today with Eleonoora and celebrated with beers. It took two months to complete and the film will be premiered in Portugal next week.

On Bullsh*t Jobs a great talk by David Graeber. He offers a useful definition for bullshit jobs (save a click: Middle management jobs are bullshit), uncovers why our society insists that people should work and explains processes which fabricate bullshit jobs. He explains that the majority of non-bullshit-work is care work and that public services which are associated with gray-infra (buss drivers, train operators etc.) engage in care work too which is why their work should not be automated.

The Three Ecologies (1989) Félix Guattari (I’ve written a very similar text for a Neighborizome related publication/performance catalogue).

On Plastic in Time a collection of links to different resources which investigate plastic (by Geoff Manaugh).

Douglas Lain interviews Eric Wilson about his book The Republic of Cthulhu (2016). A very useful introduction to para politics. The talk prompted me to think about dark/black-infra (as defined by Eyal Weizman in Architecture of Violence) as Para Infrastructure. Wilson argues that our skills in reading horror-novels and detective stories can offer a way to survive contempary political realities. When we read the crisises of democracy as a horror story we can identify the shapes of non-rational human forces (even non-human) that work in the undercurrents of representative democracy. He also gives a solid explanation on what the spectacle society is.

Got the ALL apps damaged or incomplete issue on my Mac. Managed ti fix it following the protocol (also had to reinstall Mac OS). The process took me over five hours. A horrible ordeal for a Saturday.


Working with Eleonoora Lundell on a documentary film. Today was our fourth meeting. Our plan is to make a 20 min long video which will show how the Exu manifest in daily life. We have hours of footage from rituals and interviews of practitioners, manifested Exu (people who are possessed) and lectures by different religious community managers.

Found an interesting project form 2012:  Precariat Armband. Translated the texts into English and made the material available online.


Major updates at Ore.e Ref. main site (10 years of celebration!). The biggest structural updates are internal: Cleaned dead links, re-organized the folder structure (./media, ./praxis) and relinked files to corresponding .html pages. Also added company staff (Eleonoora Lundell, Päivi Raivio, Hanna Karppinen & Pietari Kylmälä) and reframed Ore.e Ref. as “a public utility company”. While working on the site I found a lot of cute stuff (like a copperplate sale announcement and an attempt to make an interpretation of the company logo from 2011). Also noticed that NO-CHAIR-DESIGN in featured on a top 100 design manifestos list. The site is still missing an announcement of the Meta- Collection. I’ll start working on it during the summer. I guess it will be hosted on the “projects” page.

Got a call from a random English speaking copper scavenger asking if I could buy his 100kg batch. Referred him to Niemen romukauppa and provided him with the addresses, contact details and bus schedules. This isn’t the first time Ore.e Ref. has caused strange enquiries. Once I got a call from Rick DuBois a Sea captain from Imperial Yachts. He wanted Ore.e Ref. to repair a ventilation ring while the boat was docked in Helsinki (Unfortunately Jesse was busy at the time so forwarded the commission to Kylmateras.fi). Ore.e Ref. website might look shady for creatives but it spells P-R-O-F-E-S-S-I-O-N-A-L for people who need of custom metalworks.

Visited Homage 1 at TeaK yesterday. The piece was choreographed by Janina Rajakangas, featured nine dancers and it dealt with emotions. Rajakangas explained that she was exploring dance as a stylized convention for movement which is primed by the dancers desire to portrays emotions/feelings on stage. The approach was analytical. Dancers working on stage presented themselves as emotional teflon by swapping their moods and gestures impulsively. In a dicussion after the piece Rajakangas talked about “tunteet” and “tunteiden esittäminen” but I’m not sure if she was talking about emotions, moods or feelings. The audience (consisting of dancers) talked about the piece using weird vocabulary. They asked Rajakangas if she was interested in “liikkeen laatuisuus”. This apparently meant “the formal structure of movement”. “Kehon laatuisuus” was also to describe specific muscular tensions. People were trying to sort out if the emotions the dancers portrayed were real of formal representations emotions. I don’t know.. Everything looked fake to me.

I read the piece as a critique of contemporary dance. It’s statement was: If artists can acquire​ emotional-teflon-skills and they truly can swap their emotions on cue or if the dancers can make the audience believe that their emotions are true by using specific gestures… Then it must mean that the emotions they perform on on stage categorically fake or that the audience is gaullable (or crazy).


My text for Esitys mag. is out: Uusmaterialistista yhdyntää (2016). The online version of the mag also features an insightful text from Pilvi: Jumalattaria vai sarjamurhaajia?, which looks at how masturbation has been represented on stages.

Masha Gessen details how to survive autocracy in the USA. The same logic applies to today’s politics in Finland under the “True Finns” thumb.

  1. Believe the autocrat [If he says that he’s gonna – He will].
  2. Do not be taken in by small signs of normality [If things look like they are staying the same it doesn’t mean they are].
  3. Institutions will not save you [There are no neutral public institutions. They are managed by the government].
  4. Be outraged [If you stop resisting they will silence you).
  5. Don’t make compromises [If you negotiate you legitimise their reign].
  6. Remember the future [The outcome of events can be affected].

“… when Marx wondered about what would happen if commodities could speak, he might as well have asked slaves, or the Haitian revolutionaries.” writes María Iñigo Clavo in Modernity vs. Epistemodiversity on e-flux (as recommended by Jussi). The arrival of the text is well timed as we just finished a grant proposal together with Eleonora Lundell. We are seeking funds for a talk-shop, where people who have settled to Helsinki would talk about objects they hold dear.