Made my first batch of Faux San Pelligriano. 1,5l water is added with ~2g of salts and minerals (10l has 0,92g Table salt, 5,7g Epsom-salt, 4,8g Plaster of Paris, 1,5g Chalk). Digesting Plaster of Paris aka. Burned Gypsum feels weird but I’m confident because Gypsum is also used in the production of tofu. Epsom salt aka. Magnesium sulfate is a spooky material too but it is used also as a laxative and it’s health benefits are well documented. Chalk and salt feel more safe to use.
Spotted Too Many Zoos online. The baritone saxophonist is called Leo Pelligriano. I want to drink Faux San Pelligriano while playing techno as Faux Leo Pelligriano.
Build an acoustic piezo preamp using a tl071. Used the toner transfer method to etch a pcb following this design (some traces came off a bit weak). The same circuit can also be found as a vero board design. Works well, sounds very clean and even amplifies the signal enough to trigger Bastl Skis. I’ll possibly make a lm386 audio amp as it’s companion, so that I can boost the signal further. I’m also planning to run the lm386 independently so that I can use it to trigger the second Skis channel. Drum triggers in the works! I designed how the two circuits would be linked while attending the Frame Epistemic Hospitality event.
Meritocracy is a myth invented by the rich (2019) Nathan Robinson.
It’s no secret that wealthy people will do nearly anything to get their kids into good schools. But this scandal only begins to reveal the lies that sustain the American idea of meritocracy.
[…] equal opportunity would require a radical re-engineering of society from top to bottom. As long as there are large wealth inequalities, there will be colossal differences in the opportunities that children have. No matter what admissions criteria are set, wealthy children will have the advantage.
Returning from my one month Kankaanpää Art School teaching gig with good vibes. I only had five students but they were committed. I’ll prepare a summary of the course in Finnish for next week.
Send an application to the Kone foundation community art triennial open call.
Met with Binna Choi by introduction of Frame. We had a fun chat about workshops (as art), metalwork, crafts and horses.
Preparing to swap my Zoom cdr70 to a QuNexus and build lid-locks and a handle to my eurorack case. It looks very cool. I still have a clock divider module in the works. I only bought a pcb for it and sourced the components.
I have untill Tuesday to finish my review of the Oodi Library’s Other Intelligences events (mentioned earlier) for Mustekala mag. in Finnish. Barely enough time for fact checking.. I’ll visit the library again on Monday.
Sound of Work: Blacksmith is linked as a “sound publication” on the Finnish Society for Acoustic Ecology website. It’s right next to publications made by Meri Kytö – Which is very flattering! Her article on modern cities as acoustic spaces (Moderni kaupunkilaisuus akustisena järjestyksenä 2011) was a very influential text when I worked on the Hear and There+ project for Ihme-days.
Also discovered a EU funded labor themed audio archive project Work with Sound (my favorite sound is Pump). There is going to be an international conference in Tampere in June Exhibiting Sounds of Changes. I send them a proposal for a gig!
Send a grand-application for Frame. Asked for 500€ to have my Land- and Environmental Art Conservation article translated into English. I proposed to make it into a A5 size booklet (like Gastroeconomy 2014) with bw illustrations (like in Reseptejä Kemistä 2013).
Yesterday I met with Andrea Kovács from the let-it-be art agency together with Paula and today Frame organized a meeting with Mami Kataoka. I’ve been talking non-stop about horses. I’m still sick with a flu so I was sweating throughout the talks.
Got to know Esa Nickle from the Performa biannual crew thanks to a hook up by Frame Finland. She was cool and we talked about famous actors and musicians who’ve started to fiddle with performance art (she had been involved with the Jay-Z & Abramović performance etc.) and how this celebrity trend has repositioned performance artists from performers to content creators. Discussions also touched the gentrification processes in NY city, Estonian contemporary art and conceptual art in non-western cultures (Boris Groys was cited!). I tried to convince her that sharing performance documentations on youtube is a good idea because we need to educate future artist generations, so they’ll know that there is a difference in what Jay-Z is doing as performance and what we we are up to. We had a couple of beers and I’m walking home. Feels like summer.