SOW Blacksmith ed.1 spotted in the wild as a part of a Novation Circuit Sample Set! Some new entries in the Freesound.org comment page on the collection too. Feels really good to see the pack in use!
Ordered parts for a second Lorre-Mill uTone building session (more on that later – Planning to attach the unit to a 42hp blank eurorack panel). Also got parts for a PMFoundations Clock Divider (Eurorack PCB set). I now have an elementary set of modulation tools in the works. I’ll start compiling the units next month. The uTone will likely be build at Oodi. Odered parts from Digi-Key on Friday and they are already in Helsinki!
Saw dance works at Zodiak. Mira Kautto: Station to Station to Station was a faux-one-person-techno-party, framed as a reminiscence of the traces that past performances had left in the dancers body. Laura Jantunen: Talvi was a monotonous, repetitive and pattern orientated piece. It placed human bodies and abstract electronic patterns on the same plane. I liked the experience of looking at human movement as a pattern but disliked the academic/neutral-tone of the work. For me the performance felt like a display of the concepts of repetition and patterns, rather then an exploration of them. Kimmo liked work a lot and their text on the piece is a good read THE CIRCUIT I NEED: TALVI, A CHOREOGRAPHY BY LAURA JANTUNEN (2019) Kimmo Modig.
Also saw Their Limbs Their Lungs Their Legs at TeaK. I enjoyed the views and read the piece as a post-humanism for kids sort of show. The outer forms of the dancer bodies where changed with various disguises. Some parts were very humorous but it didn’t offer new insight to dance.
Updated the Ore.e Ref. Trans-Horse page. The site is now over 10 years old (earliest Wayback machine save is from 2011)! Added new texts (on top of the old), new photos and new links. Particularly the Trans-Horse link list is convincing… Trans-Horse has produced new works annually for almost five years.
I also like that teaching has been a part of the project from the start. In 2014 we taught friends how to work with horses (from the ground) and we’ve managed to scale these sessions into a full-blown educational program, with lectures, horseface-to-humanface teaching methods and texts. We should write more. I’ve been in contact with IssueX about the possibility to write about the Horse and Performance III course. I wrote a summary of this years course on the Hevoslinja blog (in Finnish).
Listening to BRMRF on Soundcloud.
Getting prepared for my 6 month New York residency is ISCP (Which is supported by the Alfred Kordelin foundation). Leaving in 42 hours. Packing my synths, prepared computer transportation, prepped my Sebago docksiders and looked up a gym in Brooklyn. I’ll be in NY this Friday and have my first meetings next Monday. I’ll be writing about horses in NY on the Hevoslinja blog (in Finnish) and about general art/city-experiences on this site. On this site I’ll use the tag New York for all residency related texts and Trans-Horse for horse stuff. It might take me a week to get an internet connection working which means that posts might be uploaded in bundles.
I was informed that Riveting hammer – Ingersoll Rand – Start 4 (a sound from the SOW collection) is used in an episode of Stories of Yore and Yours podcast (the sound is heard at 16min 15sek). The episode is a reading of a short story called Harrison Bergeron by Kurt Vonnegut (1961). The episode sound effect credit list is a fun read.
On the 30th of August, 2006, at Caixaforum ( Barcelona ), Freesound organized a multitudinous (more than 300 people) performance and sound recording called “La audiencia disponible”. This sound is one of those recorded that day.
Today is the day! All of the files are available at http://oree.storijapan.net/praxis/sound-of-work/. The complete 1gb .zip file can be downloaded from https://archive.org/details/sow-blacksmith-ed1. Made a video announcing a selection of sound for the Novation Circuit .syx. I got confirmation that the files are ok in freesound (still some tweaking to do). Published a demo on soundcloud. I can now begin to wear the Atlas Copco cap I got from the company as a sponsorship as a token of a successful publication.
Submitted the terms deep time Marxism and the institutional horizon to the Bureau of Linguistical Reality database.
Work on the SOW: Blacksmith ed1 metadata is progressing steadily. I’m currently authoring a .csv table with descriptions, filenames, tags etc. for freesound.org. The work is very tedious. The table has 324 rows (each with eight columns). Also added ID3v2.3.0 & RIFF INFO metadata to the files. Unfortunately I couldn’t sync the data automatically so the details are a bit different between the .csv and the metadata embedded into the files. Got the Sound of Work: Blacksmith edition 1 webpage on Ore.e Ref. site ready. Prepared a collection of one shot sounds for Kristian, so that we can start rehearsing with them.