I’m working on a Trans-Siberian Rails and Stations 2019 sound pack for Freesound.org. Currently adding descriptions and meta-data (locations & tags) to the files. I have some three hours of raw material to work trough (excluding a 40 min interview with our train steward, which I wont release unedited). Majority of the clips are 5 min long and they focus on complete work cycles (eg. break check at a station, bathing in a toilet) and ambiences from different locations (eg. restaurant wagon, cabin by night). Majority of the sounds were captured during our 180 hour return trip Vladivostok-Helsinki.
There are a some Trans-Siberian train related clips and a lot of train sounds on Freesound. Martin Sadoux has released a nice collection Russia Trans-Siberian Train in 2018. He has a good recording from the open third class wagons (which I don’t have). The collection I’m prepping will compliment previous releases well. I’m particularly proud of my recording of a break check at a station and I also collected a lot of interesting announcements. I also have some special sounds like the rattling of a samovar (using contact mics).
Miina made an interesting remark about my collection. Finnish explores of the early 20tieth century collected geological samples in hopes of tapping to natural resources and items made by other cultures or groups to develop ethnic narratives. Bringing stuff back home and displaying it for the public was an important gesture in the process of producing cultural capital for the developing Finnish state. Displaying stuff others had made here, illustrated our distance. The act of displaying stuff and material, validated the work of the explorers. Many ethnographic museums got started this way and the contemporary souvenir business echoes this.
My delight over a break-check sound, is a delight over a conquest of a rare resource. Field recordings can be identified as a geologic-like-wealth! Controlled distribution of this material makes it possible for me to harvests cultural capital. Could this process be put to good use? I don’t see hope in returning to esrek-like lisencing models. How could I share the material in a non-exploitative manner? Emphasizing movement to location: Playing the sounds in a Finnish train as the train is moving?
I’ve sometimes explained performances as condensed behavior which is informed by a site: A particular performance is only possible in a particular situation. This idea works better in Finnish: “esiintyminen” means acting, exhibiting or performing and is very close to the word “esiintymä” which means a geological deposit of ore. My condensed behavior on the Trans-Siberian railway trip made it possible to harvest documentations of events, where the train and people of the train performed in interesting ways. I was mining these event using my recorder.
Spotted interesting eurorack projects on the Freesound blog. CTAG Strämpler is a module which connects to the Freesound API and allow users to download sounds directly from the service. BeagleBoom works the same. Really interesting and specific devices. I’m tempted to make an eurorack module which would only play sounds of particular event. A module dedicated to playing news reels and interview covering a specific public protests or animal? YLE should make something similar for their archive.
Saw Earth (2019) Nikolaus Geyrhalter at DocPoint festival. It was a really dull film which failed in its attempt to hide the fetishization of mining equipment and wastelands. There is nothing wrong in exploring toxicities. The directors attempt to disguise their interest into a moralistic sermon was perverse.
SOW Blacksmith ed.1 spotted in the wild as a part of a Novation Circuit Sample Set! Some new entries in the Freesound.org comment page on the collection too. Feels really good to see the pack in use!
Ordered parts for a second Lorre-Mill uTone building session (more on that later – Planning to attach the unit to a 42hp blank eurorack panel). Also got parts for a PMFoundations Clock Divider (Eurorack PCB set). I now have an elementary set of modulation tools in the works. I’ll start compiling the units next month. The uTone will likely be build at Oodi. Odered parts from Digi-Key on Friday and they are already in Helsinki!
Saw dance works at Zodiak. Mira Kautto: Station to Station to Station was a faux-one-person-techno-party, framed as a reminiscence of the traces that past performances had left in the dancers body. Laura Jantunen: Talvi was a monotonous, repetitive and pattern orientated piece. It placed human bodies and abstract electronic patterns on the same plane. I liked the experience of looking at human movement as a pattern but disliked the academic/neutral-tone of the work. For me the performance felt like a display of the concepts of repetition and patterns, rather then an exploration of them. Kimmo liked work a lot and their text on the piece is a good read THE CIRCUIT I NEED: TALVI, A CHOREOGRAPHY BY LAURA JANTUNEN (2019) Kimmo Modig.
Also saw Their Limbs Their Lungs Their Legs at TeaK. I enjoyed the views and read the piece as a post-humanism for kids sort of show. The outer forms of the dancer bodies where changed with various disguises. Some parts were very humorous but it didn’t offer new insight to dance.
Updated the Ore.e Ref. Trans-Horse page. The site is now over 10 years old (earliest Wayback machine save is from 2011)! Added new texts (on top of the old), new photos and new links. Particularly the Trans-Horse link list is convincing… Trans-Horse has produced new works annually for almost five years.
I also like that teaching has been a part of the project from the start. In 2014 we taught friends how to work with horses (from the ground) and we’ve managed to scale these sessions into a full-blown educational program, with lectures, horseface-to-humanface teaching methods and texts. We should write more. I’ve been in contact with IssueX about the possibility to write about the Horse and Performance III course. I wrote a summary of this years course on the Hevoslinja blog (in Finnish).
Listening to BRMRF on Soundcloud.
Getting prepared for my 6 month New York residency is ISCP (Which is supported by the Alfred Kordelin foundation). Leaving in 42 hours. Packing my synths, prepared computer transportation, prepped my Sebago docksiders and looked up a gym in Brooklyn. I’ll be in NY this Friday and have my first meetings next Monday. I’ll be writing about horses in NY on the Hevoslinja blog (in Finnish) and about general art/city-experiences on this site. On this site I’ll use the tag New York for all residency related texts and Trans-Horse for horse stuff. It might take me a week to get an internet connection working which means that posts might be uploaded in bundles.
I was informed that Riveting hammer – Ingersoll Rand – Start 4 (a sound from the SOW collection) is used in an episode of Stories of Yore and Yours podcast (the sound is heard at 16min 15sek). The episode is a reading of a short story called Harrison Bergeron by Kurt Vonnegut (1961). The episode sound effect credit list is a fun read.
On the 30th of August, 2006, at Caixaforum ( Barcelona ), Freesound organized a multitudinous (more than 300 people) performance and sound recording called “La audiencia disponible”. This sound is one of those recorded that day.
Today is the day! All of the files are available at http://oree.storijapan.net/praxis/sound-of-work/. The complete 1gb .zip file can be downloaded from https://archive.org/details/sow-blacksmith-ed1. Made a video announcing a selection of sound for the Novation Circuit .syx. I got confirmation that the files are ok in freesound (still some tweaking to do). Published a demo on soundcloud. I can now begin to wear the Atlas Copco cap I got from the company as a sponsorship as a token of a successful publication.