Wrote a detailed summary (in Finnish) of my art-camp contribution for 12-18 year old kids from Hyvinkää and Hämeenlinna children’s art schools. Added links to Peggy Pierrots talkshop-guidelines and referred to Poste Restante. The title “Postructuralism for Kids -lecture” brings a smile to my face.
Neighborizome project development is in a mid development crisis. Nothing threatening but we need to find more sensible ways in to work together. We drafted a budget for next year.. If everything goes as planned we’ll publish a booklet and host a miniature performance art festival in the spring of 2018. Things will be confirmed next week.
Through this collaboration I’ve come to understand of my personal shortcomings as a project manager. Instead of engaging in negotiations which would be rooted on clearly articulated opinions, I tend to continue addressing questions I have issues with for as long as it takes for the group to address them the way I prefer – This way I inadvertently assume indirect control of the discussions, without clarifying and assuming responsibility for my intents. This style of management is rooted in collective low budget production culture (typical for performance art in Finland) where members have strong creative opinions and they don’t have the resources to challenge their beliefs. When issues are continually re-address the aims and shape of the artwork (or project) is address as a series of tasks which fit within milestones and deadlines (instead of creative intents and visions). As a result the project will be lead by the person who invest the most in task solving and this seldom makes for good art.
Vili Mustalampi performed well at the Kom-theater sound night at Vuotalo. I haven’t listened to the recording yet. I think the Mitä kuulu+ (for Ihme-days) & Kutsu projects which focused on the changes in city soundscapes are now complete. I’m not completely satisfied on how things went. The 48min documentary I made is a tad too long and unfocused and unfortunately I haven’t found anyone who would be interested in publishing it. I should share it more boldly to people I imagine would like it.
Performed with the Neighborizome group at the Koneen säätiö Lauttasaari mansion renovation topping out party last Thursday. We prepared a timecapsule/ritual kit for the future and buried into the yard. Builders and guests could vote on its content. Builders voted on an Anonymous Mask and a Koskenkorva vodka flask (Fitting symbols for struggle). They threw coins into the kit for good luck.
Learning Ableton Live in preparation of a gig at the Viestejä Vuosaaresta (KOM-theater / Helsinki Model) event. The gig is on 2.11 and I’m scared. Vili will recite a marine weather report using his flamenco/gypsy-style singing skills. The tone of the singing is similar to an Adhan. Lauri Wuolio is also performing at the event.
Preparing a teaching gig for Janakkala (for kids, 12-18 years) next weekend. There will be 21 students. I’ll be teaching them how to “walk”.
Preparing a 1,5h lecture next Friday on my artistic practice (in the framework of posthumanism/ecology) for dance and pedagogy students of Uniarts Helsinki and Aalto Uni. I’ll start of by explaining that my mother was a Marxist, recap how my shared interests with the Helsinki communist youth association evolved into (very) slim involvement with anti-globalization and anti-war movements and how celebration over the 9/11 (2001) attacks resulted into a restlessness which lead me into crafts (In short before 9/11 dirty clothes were cool – Post 9/11 dirty clothes were scary).
Wax-treated my jeans coat. 1 part boiled linseed oil, 1 part beeswax mixture. It will take 6 months for the linseed oil to dry.
- Nude Photo (1987) Derrick May
- Model 500 – Night Drive (1985) Juan Atkins
- Crack Down (1990) Carl Craig
- The Final Frontier (1991) Underground Resistance
- Alleys Of Your Mind (1981) Cybotron (Juan Atkins & Richard Davis)
Found some text concerning on spiritualism and electricity. “The Spiritual Telegraph and the relation between body and electricity in Spiritualism” is an overview on how science of electricity was used foundations of a new spiritualistic movement. “Spiritualism and Electromagnetism” offers a detailed look on how scientific concepts and terminology was used by some spiritualistic practitioners.
Visited KOM-theaters “Sound Night” (Ääni-ilta) at Vuotalo. The event lasted for over 90 minutes and was structured around contributions by local art/culture actives and organizations. Some parts of the show felt superficial.
The Sound Night was build around interviews they’ve conducted through the year. It felt as if all of the informants they’ve talked to had portrayed Vuosaari in very emotional manner (both negative and positive). The theater crew had chosen the positive approach to investigate the sites history. The Sound Night was fixed on the idea of Vuosaari as a happy village which had been masked as an urban district. They tried to portray the sites mythological past and contemporary soul. The problem is that suburbs renounce the concept of a soul – Suburbs are about movement. The unifying character of suburbs like Vuosaari is that they are transitional and fluid areas. They are constantly being rebuild and populated by new groups – They are modern.
Towards the end we sung a Vuosaari song the crew had composed. The song feld similar to the horrible municipal songs nationalistic artists composed for their districts, around the time Finland gained its independence (Vuosaaren maakuntalaulu). The Helsinki-model cultural funding program is guiding the team’s focus specifically to the Vuosaari district. This is a very limiting frame for cultural production. I’m interested to learn how other Helsinki-model funded institutions have solved the issues.
Started messaging with Kira O’Reilly, Lecturer MA in Ecology and Contemporary Performance (MAECP) about a meeting concerning horses.
Approached KOM-theatre about their upcoming sound events in Vuotalo. They are starting a three year venture into Vuosaari together with Klockrike-theater and the The Finnish Museum of Photography. Their joint effort is a result of the Helsinki Model (Helsinki Malli) cultural funding, which forces (or guides) established art institutions into providing creative experiences for people living in the suburbs. We met with the organizations together with Jonna Kalliomäki after the IHME festival workshops. My experience is that these kinds of institutionally run art-to-the-fringe projects fail to support the creative culture locals are already engaged in. Let’s see how I can change this.. Perhaps I could get them hire Hassan Maikal as a performer.
Also.. Had a touching meeting with the Mounted Police force of Helsinki.