20220511

There are were a few statues depicting Lenin in public spaces in Finland. I don’t care much for them, they look boring but I get a melancholic vibe in their presence. They feel like puzzles or glitches which echo desires from a past, in a language I don’t understand. They feel displaced and lonely.

After Russia invaded Ukraine, there has been an urgent push to remove all references to Lenin and our ties to Soviet Union from public spaces. Turku is having had their minuscule Lenin bust, situated at the corner of a silent street removed and Kotka is planning did the same. Helsinki has a park called Lenin’s park which might will be renamed. There might be others too.

Right-wing conservative politicians in Turku argue that their statue is was due to removal because it “depicts an undemocratic and tragic phase in history, which does not manifest the developing cities strategy or the humane values of contemporary Turku city” (A loose translation of a statement by Turku major Minna Arve). Their critique does not extend to statues depicting different Russian tsars or Swedish kings. They want Lenin removed because it reminds them of communism.

In a recent debate regarding the renaming of a miniscule Leninpuisto (Lenin Park) in Helsinki 25 city council politicians reiterated that the renaming is a necessity because of Lenin’s “monstrous deeds” and claim that their efforts to rename the park is a feminist project, aiming to designate more public sites after historically significant women. This lie over the motivation is a disgrace to Otto Meri, the National Coalition Party member behind the recent renaming initiative. I’m not motivated to campaign against their effort because there are real political concerns which demand attention.

Their argumentation manifest the spite which past right-wing generations felt over the achievements of organized labour movement.  I see present day right-wing conservatives rallying against communism engaging in hauntological work. Their traumatic project aims to claim and taint “lost futures” as defined by Mark Fisher (introduced in a short 2021 article by Nicholas Diaz). More pressingly, the project is an attempt to evade discussing present day political relations and ties with Russia. Debating the removal of a statue is a convenient way to evade guilt over the fact that we –as the west we were– enabled Putin’s regime to emerge.

This evasion is useful for the present day Finnish politicians, who have leaned on Putin’s Russia and benefited economically from its exploitative and corrupted regime. For example Turku Energy was invested in the Fennovoima/Rosatom nuclear initiative and remained onboard in the project despite the Russian invasion of Crimea. Similarly National Coalition Party politicians have been acceptive to Russian oligarch investments (and a lot Finnish companies still operate in Russia), past Social Democratic Party leaders have worked for Nord Stream II lobbies and Centre Party leaders have taken positions in Russian banks and institutions.

The manner which the statues of a past communist figurehead is discussed, portrays them as been erected by an invading force. They were not. We did it because wanted to. It felt like a good idea at the time. Similarly, we have not been coerced into working with Putin – We took him as an opportunity and this backfired. Our wilful ignorance regarding the concerns Russian human right organisations, opposition activists and citizen voiced through the years is a reason why Russia started its attack against Ukraine.

Removing a Lenin statue is much easier than removing the stench of failed business deals. The attention they are receiving is a symptom of diminishing political agency. People feel powerless, that they cannot change the current system. They are taking revenge on an image of past communist leader, because this is easier then figuring out why establishing liberal economical ties with the Russia state failed in developing a democratic society.  Lenin has a few theories as to why… #☭

Edit: I resigned from the army reserve because the manner in which politicians use the war as a device for revising the legacy of socially progressive movements demands a response. They are building a Finland which does not exist for me. I’m working to leave this barren plain with my space comrades and no longer maintain a fantasy that defending these borders with guns aims for democracy.

Populist claim that present day Russia and its attack against Ukraine is derived from socialism, communism and is practically a project of the Soviet Union. People who make these claims very dangerously ignore that the 1917 Russian revolution was organized against an expansive imperialist state. The revolution was fuelled by a desire to end the many wars which the Russian Empire was engaged in at the time and an attempt to designate class (not ethnicity) as a foundation for nations.

Not unlike today’s Russia, the Russian Empire grounded its expansive campaigns on an ideal of a national destiny (partially defined by the church) and ethnically characterized patriotism, set to dominate the cultural diversity of the continent. If we want to learn anything from the revolution and it’s failure, it is that any appeals for a historic destiny of a nation and ethnically defined nation state projects, should be constrained by open democratic processes, public debates and legislative robustness which defaults to protect the weaker.

Democracy is threatened because ruthless politicians use emerging crises for short term political gain, and are eager to maintain a constant state of exception. Finland, for example, joined NATO without any public debates or a vote. Officials in charge at the time, even declared that entering a public debate in the matter, would open our ranks to Russian influence: We are told to comply and differing opinions were demonized. A historic destiny narrative of Finns as “neighbours to the bear” is being used to issue conservative restraints on cultural development. The state is buying automated biblically named weapons systems from Israel to protect its borders, while pressing cuts to social support and culture. Without a democratic culture and commons to share, we don’t have anything to fight for. They are protecting borders and don’t care about the quality of the content inside.

Working against wars is presented as a weakness and the strength I have is needed for peace-work. Under these conditions everyone should resign from the army. It is only a requirement portal for NATO, which conscripts are set to serve for free. It took a lot to arrive at this conclusion because my time in the army was a very rewarding experience, which helped me to understand Finns better. I don’t regret it but we deserve better.

20200531


Muzak: On Functional Music and Power (1992) Simon C. Jones & Thomas G. Schumacher. A straight to the bones text on the ideology of functional music. The text offers a good overview on how Muzak is designed and how it effects people who are subjected to it. There are even some statistics on how it effects worker efficiency.

For Adorno, one of the functions of popular music was to distract workers from the monotony of increasingly rationalized and mechanized work. It treated the symptoms of alienation and subordination, alleviating boredom and fatigue but without removing their causes. Popular music was, in the end, little more than “social cement,” reinforcing existing social relations and power structures – entertainment as containment […] The stylistic regularity and harmonic simplicity of Muzak suggests a secure, private, domestic world that signifies the comfort and security of home in terms of a particular, bourgeois conception of domestic well-being. Its aim is precisely to make one “feel at home” whether in an office, factory or airplane.

I remember reading that Muzak is used in shopping-centers to make the violent experience of moving with an elevator from a level of where fur-hats are sold to the floor where butchered meat is sold more coherent. Muzak removes the post- from modern. A contemporary application of the text would be a critique of ambient-music and earphone-culture as processes were individual wellbeing is build by enforcing technologically segregated private spaces. With the emphasis on audio quality as a class signifier: Headphones which boost bass tones are deemed working class. Interestingly personalized ambient spaces are disseminated into public trough shared curated playlists.

A trajectory from Muzak, 90ties World Music, Vaporwave (which I recognize Skweee as) to Ambient would be interesting to explore. I think each genre responds to political detachement and cynicism. New march-music for the welfare state can be sought from: How to Kill a Zombie: Strategizing the End of Neoliberalism (2013) Mark Fisher.

Neoliberalism consolidated the discrediting of state socialism, establishing a vision of history in which it laid claim to the future and consigned the left to obsolescence. It captured the discontent with centralized bureacratic leftism, successfully absorbing and metabolizing the desires for freedom and autonomy that had emerged in the wake of the 60s. But – and this is a crucial point – this isn’t to say that those desires inevitably and necessarily led to the rise of neoliberalism. Rather, we can see the success of neoliberalism as a symptom of the leftist failure to adequately respond to these new desires.

Made a Manhattan style PCB for a FM transmitter. I used a LM7809 to stabilize the power input and even without an antenna the unit can cover our flat! The sound is really good and quirky. Bass tones etc. get broadcasted well and when I wave my hand over a receiver other FM broadcasts seep to the same channel. This emphasizes the pocket-like-folds the mini-FM makes to the radio space (which Kogawa’s texts underline). Interestingly when I broadcast simple waves in close proximity of a FM receiver and boost the volume of the transmission the sound feels like a wavefolder. Couldn’t get the Charles Kitchin FM receiver to work yet. It might be that the J113 is not a perfect replacement for the MPF102 or my coils are missaligned. Found a detailed tutorial on how to build the unit Radio Shack Special (2008) by braincambre500 and I’ll retry the build. Also sourced parts for The Simplest FM Receiver by Miomir Filipovic which uses two transistors and only one coil. Fitting the transmitter and received on the same PCB will be challenging as the Kogawa transmitter is so powerful. I might have to add a switch to the eurorack design to toggle the unit to work either as a transmitter or a receiver… I also think that the tuning capacitors should be lifted from the ground somehow. Cleared my workbench and I’ll try to build a working unit this summer.

ARRADIO by n³ is a CV controllable FM radio module, which works like I would like. I might be able to figure out the radio module (its build around a TDA7088). The CV input option is something I want to implement too.

gnsk has build a Radio Sender radio transmitter in Eurorack format assemblage. Nice and simple. The builder is using it for feedback loops.

RF Nomad by Evaton Technologies tunes to frequencies from approximately 9.6 to 10 MHz and decodes the audio as single sideband they also offer a AModulator SDIY companion module which can encode audio inputs into a amplitude modulated RF signal (implementing the send&receive dynamic I’m working towards).

ADDAC102 VC FM Radio (~300€) affords channel seek using CV and it can find channels automatically. I really like the stereo implementation! My FM received module could have stereo output too (and a summed output). I imagine this can great nice phaser-like sounds.

RADIO by ST modular is an analog FM RADIO with an automatic channel-search functionality. It is based on a BK1068 FM radio IC.

FM Radio vox is a clever add-on for the Polarix Extensible Modular Yabber which offers a good interface for radio (not sure how fast it’s for tuning channels thou).

BEATS FM is a FM radio built into an instrument by xaudiosystems. It has a filter and a delay effect for audio mangling and the receiver frequency is CV tunable.

FM-L a FM radio receiver by Tenderfoot Electronics with a unique channel memory hop feature. The antenna is nicely implemented too.

FM4 a simple FM radio receiver from Noisy Fruits Lab. The panel reads CV VCA but it’s unclear what it controls.

A Voltage Controlled Multi-Band Radio Synth Module using the Si4825 with FM, AM and SW reception by Balmatronics. There is a mention in the comments that the unit will be made open source later on.

While not a module (yet) a 74xx-defined radio (2021) a c i d b o u r b o n offers notes AMD schematics for the development of an oscillator controlled radio receiver.

Air-Wave Modulation Source with an LFO and S&H for out of the box randomness for the rack. It has a squeeze/clean trigger (which is not explained).

BBCV FM Radio 1U boasts an AM coil fitted to the rear which “improves the reception at lower frequency stations”.