20190902

Packing for a trip reveals how artist equipment categories are aligned and indicate changes in praxis. I have music instruments in one pouch, mineral water making tools in an other and electronics in the third. Some items are difficult to place.. Where do the capacitors I’ve build using mineral water belong to?

Kim Modig & Marina Valle Noronha‘s Art Off The Air (AOTA) (2019) is an audio piece about art and energy (or lack of it). I like the style of the work, the glitchy audio gaps and the boldly disruptive techniques they use to create an inspirational space for the listener. The work asks an important question: “What kind of lifestyles does our art produce” and calls for de-growth (or de-acceleration) within the arts. Their proposal is that artists should do less to combat consumerism. I agree with their proposal wholeheartedly. But I do think de-growth should not be demanded equally from all artists or arts, because this would hinder the constant reconfiguration and circulation of economical / social classes. Processes in structural change should take into account the demands different artworks place on their surroundings: Material artworks reserve more stuff then skill sharing. This argument is an adaptation of the critique of extreme taxation of flights and meat industries: Extreme taxation would reserve these “pleasures” only for the mega-rich (which is a dystopian reality by all accounts). I think a great model for change is the way value added taxes are designed. For prints and paintings the tax is 9% and 0% for performing arts! Perhaps in addition arts should be taxed using a progressive scale?

Mira Kautto has shared a collection of art grant applications and proposals online. I think this is a great gesture!

Onyx Ashanti is an afrofuturist working to reprogram himself. His video entries give me weird-sad-hope: Perhaps I’ll survive not getting a grant (applied for 108 000€ from Kone to finish the Trans-Horse project and didn’t get it). I’m seriously looking for work thou.

I’m not flossing, I’m just not cold. That’s cool and I’m cool with that. That’s a kind of freshness in itself. That’s dope. Not being cold during a polar vortex is very dope but being dope in a polar vortex is the mothershit. I’d love to explore it.

20190128

SOW Blacksmith ed.1 spotted in the wild as a part of a Novation Circuit Sample Set! Some new entries in the Freesound.org comment page on the collection too. Feels really good to see the pack in use!

Ordered parts for a second Lorre-Mill uTone building session (more on that later – Planning to attach the unit to a 42hp blank eurorack panel). Also got parts for a PMFoundations Clock Divider (Eurorack PCB set). I now have an elementary set of modulation tools in the works. I’ll start compiling the units next month. The uTone will likely be build at Oodi. Odered parts from Digi-Key on Friday and they are already in Helsinki!

Saw dance works at Zodiak. Mira Kautto: Station to Station to Station was a faux-one-person-techno-party, framed as a reminiscence of the traces that past performances had left in the dancers body. Laura Jantunen: Talvi  was a monotonous, repetitive and pattern orientated piece. It placed human bodies and abstract electronic patterns on the same plane. I liked the experience of looking at human movement as a pattern but disliked the academic/neutral-tone of the work. For me the performance felt like a display of the concepts of repetition and patterns, rather then an exploration of them. Kimmo liked work a lot and their text on the piece is a good read THE CIRCUIT I NEED: TALVI, A CHOREOGRAPHY BY LAURA JANTUNEN  (2019) Kimmo Modig.

Also saw Their Limbs Their Lungs Their Legs at TeaK. I enjoyed the views and read the piece as a post-humanism for kids sort of show. The outer forms of the dancer bodies where changed with various disguises. Some parts were very humorous but it didn’t offer new insight to dance.