20180406

I support art price regulation. No artwork of mine should cost more then it costed produce. Labor costs are depend on national avarages (In Finland ~2800€/month). The resale price must be the same as the original. In response to Art + Taxes = The Dirty Truth by The Art Assignment and other similar raports.

Marvin Gaye sings I Heard it Through the Grapevine in an isolated vocal track.

We send an application for the Sculpture Expanded call organized by The Association of Finnish Sculptors with the Neighborizome crew. The proposal has a bodybuilding vibe to it.

The Finnish Performance Art Bank has announced a call for new artwork entries to their sales/promotion/archive site. They’ve joined forces with the Artsi museum: Artist who join the bank (or update their old entries) can also apply as performers for the Performance Days -event (7.6.) held in Artsi. The selected artist will receive a 600€ fee (the jury consists of museum staff and Muu ry members). I think it’s great that there is an open call for a exhibition opening performance (the exhibition will show works by Erkki Pirtola) but I think using the call to lure artists to join the bank is tacky.

My article for Mustekala.org concerning Environmental- / Land Art Conservation is being edited! I got the first edited draft for review on Thursday and promised to send them notes and fixes by Monday.

20180315

Finally completed a lengthy article about my experience of working as Environmental- / Land Art Conservator for the Strata project in Pinsiö 2013. I worked in a team tasked to restore Up and Under (1998) by Nancy Holt and The Tree Mountain by Agnes Denes (1996).  A big part of that text is an analysis of the controversy caused by Spiral Jetty conservation efforts. The text is currently being reviewed by Mustekala.org and if it passes I might translate parts of it into English too. I should craft it into a zine too…

I contacted Dia foundation in New York and offered to prepare a presentation about the the work we did for the environmental artworks commissioned by Strata.  They haven’t replied yet. Attempted to open a dialogue with contemporary art conservators at Kiasma too but they haven’t replied either. They must get a lot of contact requests from Environmental- / Land Art Conservator’s around the world.

Finnish Cultural Institute in New York is trying to arrange a meeting with the NYPD mounted police unit for me. We drafted a long letter together and I hope it’ll open a dialogue with them. I’ll start the visa application process tomorrow.